Total to pay:
$0.00
$768.00
Checkout Now and Receive Free Shipping
GET IT NOW !Schoeps CMC64 ST Acoustic Guitar Demo Stereo Microphones
- Products used:
- Schoeps CMC 64 ST (US Stereo Microphone Set)
- Lynx Aurora 16 I/O D/A and A/D Converter
- A Designs MP-2A Stereo Tube Preamp
- Great River Electronics MP-2NV Stereo Preamp
- A Designs Pacifica Stereo Preamp
- Schoeps MK4 V Cardioid Microphone Capsule
More text
The Schoeps CMC6 and MK4 combination is the classic combination for recording acoustic guitars in the recording studio. Detail, precision, accuracy and musicality typify these fantastic microphones...
Less text
The Schoeps CMC6 and MK4 combination is the classic combination for recording acoustic guitars in the recording studio. Detail, precision, accuracy and musicality typify these fantastic microphones. We utilize the Schoeps on some fantastic acoustic guitars from Lowden and Goodall, feeding some great mic preamps from Great River, The Great River MP2NV, and A Designs (both the Pacifica and MP2A). Call us now to learn more about these truly amazing microphones, toll free 888.528.9703
Goodall Concert Jumbo 5457 Acoustic Guitar at Sound Pure
- Products used:
- Goodall Concert Jumbo 5457 Acoustic Guitar
- Schoeps CMC 64 ST (US Stereo Microphone Set)
- Great River Electronics MP-2NV Stereo Preamp
- Lynx Aurora 16 I/O D/A and A/D Converter
More text
Ryan Cavanaugh plays a Goodall Concert Jumbo 5457 Acoustic Guitar in the Sound Pure Studios live room. The Concert Jumbo is a rich, clear-toned concert guitar made by luthier James Goodall.
Less text
Ryan Cavanaugh plays a Goodall Concert Jumbo 5457 Acoustic Guitar in the Sound Pure Studios live room. The Concert Jumbo is a rich, clear-toned concert guitar made by luthier James Goodall.
Lowden Guitars F35c Acoustic Guitar Demo at Sound Pure
- Products used:
- Lowden F35C Red Cedar/Cocobolo sn 1580 Acoustic Guitar
- Schoeps CMC 64 ST (US Stereo Microphone Set)
- A Designs Pacifica Stereo Preamp
- Lynx Aurora 16 I/O D/A and A/D Converter
More text
Ryan Cavanaugh plays a Lowden Guitars F35c Acoustic Guitar in the Sound Pure Studios live room. Recorded with a Schoeps CMC-6 Matched Pair into an A-Designs Pacifica to a Lynx Aurora 16 A/D Converter
Less text
Ryan Cavanaugh plays a Lowden Guitars F35c Acoustic Guitar in the Sound Pure Studios live room. Recorded with a Schoeps CMC-6 Matched Pair into an A-Designs Pacifica to a Lynx Aurora 16 A/D Converter
A Designs Pacifica Mic Preamp Tracking Killer Acoustic Guitars
- Products used:
More text
Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compress...
Less text
Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compression, EQ, or reverb), in the Sound Pure Recording Studios, with a variety of mic choices and combinations
Lowden S35 Cedar Walnut 15776 Guitar Demo at SoundPure Studios
- Products used:
- Lowden S35 Red Cedar/Claro Walnut sn 15776 Acoustic Guitar
- Schoeps CMC 64 ST (US Stereo Microphone Set)
- Great River Electronics MP-2NV Stereo Preamp
- Lynx Aurora 16 I/O D/A and A/D Converter
What we think:
All capsules are available in matched pairs with official Schoeps documentation. For matched pairs multiply the cost of the microphone exactly by two and then add $40 dollars for the matching fee! The amplifier bodies are available in sequentially serial numbered pairs at no additional charge. Any Schoeps product not found on our webpage can be purchased through Sound Pure. Please call and talk to one of our staff members to inquire about the price and availability!
Specs:
Frequency range: 40 Hz - 20 kHz Sensitivity: 13 mV/Pa Equivalent noise level: A-weighted: 15 dB-A CCIR: 24 dB Signal-to-noise ratio (A-weighted): 79 dB-A Maximum SPL (0.5% THD): 132 dB
Description:
cardioid pattern well maintained throughout the frequency range; for universal application; The MK 4 and CCM 4 are optimized for maximum rejection of rear-incident sound. Typical of the classic cardioid, at 90 to its axis the attenuation is 6 dB, while from the rear (180) it can be as much as 30 dB, depending on the frequency. The random-energy efficiency* the ratio of on-axis sensitivity to diffuse sound field efficiency is 4.8 dB. (The higher this figure, the less room sound is picked up by a microphone, and the less susceptible it is to acoustic feedback.) Due to its directivity, the MK 4/ CCM 4 can be placed 1.7 times farther from the sound source than a pressure transducer of equivalent sensitivity, while maintaining the same proportion of direct and reverberant sound. In the diffuse sound field (distant from a sound source in a room, for instance), this microphone type has flat frequency response except for a slight emphasis around 10 kHz. It is ideal for speech as well as for music recordings, with a well-defined sound image free of coloration. When used for X/Y recording or as a Mid microphone in a Mid-Side configuration, it delivers exceptional results. It is also the capsule intended for use with our ORTF stereo microphone (MSTC 64 or STCg). This microphone type has the most general applicability and is the type most widely used.
Recommended accessories:
Works great with:
© Sound Pure LLC 2012. All Rights Reserved.
