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Neumann BCM 705 Microphone, from Neumann

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Neumann BCM 705 Microphone Neumann BCM 705 Microphone
Neumann BCM 705 Microphone
Neumann BCM 705 Microphone

The first Neumann microphone with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic.

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Neumann BCM 705 Demo By Acclaimed Voiceover Artist Chet Sisk

(click to download)
Neumann BCM 705 Microphone


Legendary voiceover artist Chet Sisk demos the Neumann BCM 705 Dynamic Microphone.

Legendary voiceover artist Chet Sisk demos the Neumann BCM 705 Dynamic Microphone. (view less)


Emotion conveyed with technical perfection. This is the ideal which the Neumann microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the requirements of professional broadcast studios and the individual, functionally optimized design* ensure that these are microphones of character. 


The BCM 705 is Neumann’s first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment.

Mechanical Features

The microphone headgrille twists off easily for quick cleaning. Neumann offers optional, color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille.


The microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms.

Acoustic features

The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the speech intelligibility. The bass frequency response is designed to compensate for the overemphasis of the bass caused by the proximity effect.

The integrated Pop Screen

A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from settling on the diaphragm.


The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio boom arm. 


A thread adapter to fit different connector threads is included. In order to provide protection from structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.


The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.

* The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.


Acoustical operating principle

Pressure gradient transducer

Directional pattern


Frequency range

20 Hz ... 20 kHz

Sensitivity at 1 kHz into 10 kohm

1.7 mV/Pa

Rated impedance

200 ohms

Rated load impedance

10 kohms

Equivalent noise level, CCIR1)

32 dB

Equivalent noise level, A-weighted1)

18 dB-A

Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)

62 dB

Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)

76 dB


500 g


64 mm


85 mm

Height (without suspension)

110 mm



1) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS





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Retail:  $1,038.00



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