-
Call Us Toll Free888-528-9703
-
Local/International (+1)919-682-5552
Single-channel mic/line preamp for Dante networked audio, Unison™ mic preamps with Apollo x16D, Power-over-Ethernet (PoE) design, coupling bracket to link multiple Apollo e1x preamps, built-in mic stand mount.
$399.00
Retail: $499.00
Put Unison™ preamps on stage or in your studio with Dante.
Apollo e1x lets you add remote-controllable Unison™ mic/line preamps to your Apollo x16D interface, putting legendary preamp sounds from API, Neve, Manley, SSL, and more on stage, at front-of-house, or in your multi-room studio using Dante® networked audio.
Key Benefits
Expand your Apollo x16D with Unison Preamps
Apollo e1x connects to your Apollo x16D via Dante, letting you add a Unison mic/line preamp anywhere on your network. Place the e1x on stage, in your tracking rooms, or presentation lectern, and easily control them via UAD Console app.
Get the Legendary Sound of Iconic Mic Preamps
Unison technology lets you enjoy the classic tone of mic preamps from API, Neve, Manley, SSL, and more — so your live mixes will have the unmistakable character, tone, and detail of preamps heard on your favorite albums.
Use with any Dante Audio Network
Apollo e1x can be used as a remote-controllable mic/line preamp over any Dante network without an Apollo x16D interface, ideal for expanding your inputs — from additional stage rack connections to front-of-house measurement mics to a tamper-proof lectern preamp — no matter what Dante-enabled interface you use.
Link Multiple Apollo e1x Preamps
Need more mic pres? No problem. Use the included coupling bracket and threaded mic stand mount to connect multiple Apollo e1x preamps securely, giving you a clean, organized setup anywhere.
Key Features
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.
Mic/Line Input
Dynamic Range: 120 dB
THD+N: -115 dB
Latency (Dante Device Latency)
1 ms, 2 ms, or 5 ms (Set in Dante Controller)
Sample rate support: 44.1 to 96 kHz
AES67 support @ 48 kHz (Set in Dante Controller)
Dante Device Lock (Set in Dante Controller)
Included coupling bracket to securely link multiple Apollo e1x preamps
Power-over-Ethernet (PoE) 4W (3W typical)
Threaded 5/8" mic stand mount