A new iteration of Strymon's Classic Tremolo & Reverb Pedal!
See something you like? This item is gone, but not forever. It can be special ordered, and even customized!
We can get it fast!
Because of our special relationship with Strymon we can get this as fast, or faster than anyone in the industry. In some cases, we even have preferred build slots we can offer you.
Want to know when one lands?
Notify MeWant to discuss a special order?
Vintage Sound, New Features. Our second generation Flint gives you the same gorgeous tremolo and reverb sounds from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.
A Perfect Gentleman.
The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.
Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.
From A Classic Era.
Flint gives you the pulsating, soothingly hypnotic effects pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms.
On the tremolo side of the pedal you can choose between the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. On the reverb side you can select the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, or the nostalgic ’80s Hall Rack Reverb.
With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads.
Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format.
Vintage Sound, New Features.
Our second generation Flint gives you the same gorgeous tremolo and reverb sounds from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.
MIDI
Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP/MIDI jack or USB-C connection.
Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset.
300 MIDI preset locations are available for loading and saving your favorite settings.
Hardware Improvements
A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.
All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.
Extended Control
Love slow tremolo?
The Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting.
On the reverb side, pre-delay time is now adjustable.
The Philosophy:
We want to build products with no compromises. We want to push the limits of technology in music. We want to redefine what is possible with music gear. We want to use exceptionally great components and ridiculously powerful processors. We want to make gear that sounds better than anything you've ever heard. We want to make our customers happy. We want you to be inspired to create amazing music.
The People:
We're a small company and we'd like to stay that way. We do this because we want to create gear that is fun to design and fun to play. We want to experiment and try new things. We don't want to work for the man. We don't like authority. We don't want to grow up. We want to work hard and have fun doing it.
The History:
Damage Control was founded in 2004 with the release of our line of tube-driven effects pedals, which earned critical acclaim and became favorites among guitarists across the globe. In 2009 we teamed up with Strymon to begin co-developing products, and the rest is history.
High impedance ultra low-noise discrete Class A JFET TRS stereo input.
Low impedance independent TS stereo outputs.
Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
USB jack for controlling via MIDI from a computer or for performing firmware updates.
Dedicated Reverb On/Off & Tremolo On/Off footswitches
Premium JFET analog front end
Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
520MHz ARM Superscalar processor
32-bit floating point processing
20Hz to 20kHz frequency response
Audio Input Impedance: 1M Ohm
Audio Output Impedance: 100 Ohm
Strong and lightweight anodized black aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
Dimensions:
4.5” deep x 4” wide x 1.75” tall
11.4 cm deep x 10.2 cm wide x 4.4 cm tall
Designed and built in the USA
© Sound Pure LLC 2025. All Rights Reserved.
919-682-5552