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What We Think
Condition: Used, Excellent
We used every fiber of our being to avoid it, but it just cannot be helped and the pun must be made... man, we dig this pedal! The Dig by Strymon is absolutely inspiring, capable of everything from luscious soundscapes of ethereal noise to a sonically pristine and clean digital delay myriad.
The modulation is a perfect feature to really hit the nail on the head with the vintage 80's inspired theme, and it sounds great on all settings. Being able to separately control the mix of each individual delay and choose the delay voicing gives you access to a plethora of sounds most single stompbox pedals only dream of. This pedal is equally good on keyboard and vocals as it is on guitar and to be simply put, it's just an incredible inspiration machine.
As soon as it landed here at the shop the entire guitar department found ourselves secluded in an office each taking turns trying out the dig - and it'd be an understatement to say we were blown away.
Manufacturer's Description from Strymon
Delay Doppelgänger.
DIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential.
Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.
Back to the Future.
Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.
Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.
Multiply these distinct voicings by two and get DIG—your perfect dual delay ally.
About Manufacturer
The Philosophy:
We want to build products with no compromises. We want to push the limits of technology in music. We want to redefine what is possible with music gear. We want to use exceptionally great components and ridiculously powerful processors. We want to make gear that sounds better than anything you've ever heard. We want to make our customers happy. We want you to be inspired to create amazing music.
The People:
We're a small company and we'd like to stay that way. We do this because we want to create gear that is fun to design and fun to play. We want to experiment and try new things. We don't want to work for the man. We don't like authority. We don't want to grow up. We want to work hard and have fun doing it.
The History:
Damage Control was founded in 2004 with the release of our line of tube-driven effects pedals, which earned critical acclaim and became favorites among guitarists across the globe. In 2009 we teamed up with Strymon to begin co-developing products, and the rest is history.
Specifications
Sound Design
- Two simultaneous, integrated delays, with unique digital rack delay voicings
- Five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, Repeats
- One modern and two classic digital delay voicings: 24/96, adm, 12 bit
- Five rhythmic subdivisions: Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter
- Three choices for delay line modulation: Off, Light, Deep
- Five “hidden” knobs for deep dual delay control: Delay 1 Subdivision, Sync/Free Mode, Filter, Config, Delay 2 Repeats
- Selectable Free Mode disables subdivisions and synchronization
- Press and hold Circular Repeats effect
- 20ms - 1.6s delay range (40ms - 3.2s with Half Note Delay 1 Subdivision)
Ins, Outs, Switches
- High impedance mono input, with selectable TRS stereo input
- Stereo output
- Three signal routing configurations: Series, Parallel, Ping Pong
- Tap tempo and Bypass footswitches
- Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter),external tap pedal (for remote control of tempo), or Favorite switch (to save a Favorite preset)
Audio Quality
- Super low noise, high performance 24-bit 96kHz A/D and D/A converters
- 115db typical signal to noise
- Analog dry path for a zero latency dry signal that is never converted to digital
- +8dBu maximum input level easily handles instrument and line signals
- 20Hz to 20kHz frequency response
- Premium analog front end and output section
- Super high performance SHARC DSP in a compact form factor
- 32-bit floating point processing
More
- True Bypass (electromechanical relay switching)
- Selectable Trails Mode with high quality, transparent Analog Buffered Bypass mode
- 9V center negative DC power supply included, 250mA current draw
- Strong and lightweight anodized carnation pink chassis
- Designed and built in the USA
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