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Anderson Hollow Cobra T Guitar #07-22-06A - Used  From Anderson

A Gorgeous Anderson Hollow Cobra T with H1- and HW2 Pickups, in a Trans Orange finish!

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Tom Anderson Guitarworks

$3,000.00

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What We Think

Condition: Used, Very Good. This guitar has a neck pocket crack which has been repaired by our luthier. The stability of this repair has been verified.

SP Luthier Notes:  All of the frets were polished, recrowned and leveled. The truss rod and bridge were fully adjusted. There was a small crack in the neck pocket, which our luthier had to put a dowel rod in. A photograph of this repair is on this listing, and the stability of this repair has been verified and although where the crack was is still visible on the exterior of the guitar, it is of no cause for further concern. No further work was required.

Get ready to unleash a beast of tone with this stunning Hollow Cobra electric guitar! This isn't just an instrument; it's a meticulously revived powerhouse, ready to inspire your best performances. Its shorty 24 3/4-inch scale length makes for effortless playability, inviting you to explore new melodies and rapid-fire riffs with ease. The breathtaking quilted maple top on a mahogany body, finished in a vibrant translucent orange with binding, not only looks incredible but also contributes to a rich, resonant tone. Our expert luthier has truly transformed this Cobra: frets were precisely glued and reseated, then leveled, recrowned, and polished to a near-mint state, ensuring buttery-smooth bends and perfect intonation across the African rosewood fretboard. The neck, crafted from rich mahogany, feels incredible in your hands. A small, visible crack in the neck pocket was expertly reinforced, guaranteeing its stability. With a perfectly adjusted truss rod, nut, and bridge, this Hollow Cobra is dialed in for maximum playability, far from being sold "as-is." This Hollow Cobra isn't just a guitar; it's an investment in your musical journey. Don't miss this one!

Manufacturer's Description from Anderson

From the moment Cobra T first appeared on the scene in 1992, its popularity has been utterly overwhelming. Everyone who touches one, seems to want one, and rightly so. But why? Cobra T is one of the only guitars on Earth (maybe the only one) that is a perfect blend between the formidable sonic muscle of a short scale guitar and the musicality of a long scale guitar. 

 

And the only way to get this wonderful blend is aboard a Cobra T (or Cobra S). Cobra T is a short scale guitar. A shorter, 24 3/4-inch scale length means less string tension, fatter mids, and greater ease of bending and reaching. Additionally, Cobra T derives much of its muscle and focused, aggressive midrange by virtue of a mahogany foundation. 

 

The Cobra body is attentively hand-selected, pure mahogany, crowned by an exotic wood top, usually beautiful, figured maple. Cobra T's neck is a sleek and fast mahogany back, embraced by a premiere rosewood fingerboard. But Cobra T has a bite that will predominate through any mix, on stage or in the studio, giving more life and dimension to every musical passage, an aspect that is usually difficult for most short-scale, mahogany guitars to achieve. Its geometry grants this gift, with its flat neck to body alignment and string through the body bridge choices, saddle tension is increased and clarity is exalted.

Tom Anderson Guitarworks

About Manufacturer

As we have said for over 28 years (and that's longer than Leo Fender was at Fender), “We are a small American Company dedicated to creating the world's finest feeling, playing and sounding electric guitar—period!”  

Also, we love it when our guitars look good—

and they certainly do that—but, without sacrificing any playability or sonic depth.  That's one of the keys: no frills or trendy gismos before tone and flawless function.

Everything has to flow with excellence and grace—all working in “concert” for the whole, bringing forth the best playing experience imaginable.

With great honor and reverence to traditions of the past, we want your new Anderson Guitar to be your best guitar, by far—no comparison.

How it's done:

We can maximize all of these desirable attributes by not making giant hordes of guitars but by making a smaller number and taking the time to do it all just right. 

Each and every guitar is a special individual to us because we are making each and every guitar for a very special individual—you. 

With this process, all details of every guitar gets the attention it, and you, deserve—from start to finish—no exceptions—whether you're Keith Richards or you're not Keith Richards—it's all good. 

Everyone is equally important.

Isn't that the way it should be?


Just a few of the many Anderson assets include:

  • Hand selected body and neck wood—literally every piece.
  • Wood kiln dried to perfection—not only to our specs at the mill but again at the Anderson facility—no rushing here.
  • Wood handled in a real-world environment After the kiln, all our wood spends time in a real-world environment so stability is enhanced and there are no surprises when the guitar is out gigging in diverse conditions—all is well.

Necks: carved to your specifications (one of our 14+ available neck shapes) and then allowed to acclimate to the environment in their new form for a month (at least, no rushing here either) before the precision fingerboard radius is finalized and your choice of Anderson stainless steel frets installed.

     The result is a neck of unparalleled stability and playability.

 

Stainless Steel frets:

  • Originally exclusive to Anderson—5 sizes to choose from. 
  • All play like warm butter, smooth and more effortless than any other fret material—for sure. 
  • And because of their slicker surface and enhanced durability, it feels like we do a new fret dress for you every morning. Your vibrato can improve just by having them on your guitar (not kidding about that).
  • Big woody tone is truly maximized as string vibration is more easily conducted directly to the wood—so rich. 
  • There is no downside to these frets, just pure guitar playability and sound through and through—otherwise we wouldn't choose to use them.

Each body and neck are specifically made for one another and then precisely “fit” together.

 

A–Wedgie neck joint is vastly superior, sonically as well as structurally.

  • This superior bolt–on neck joint also grants greater comfort and easier access to the upper frets—so very nice to play.

(You will have to smash the body to bits to move this neck out of position—certainly not recommended—although we did have one whose girlfriend tried this out in the streets of New York.  Even though the body was in two pieces, the neck and body were still in perfect alignment.  Really makes you love getting A–Wedgie—the Anderson kind, of course.  And because A–Wedgie is a revolutionary bolt–on design, parts could be replaced and the guitar ended up as good as new.)

 

Finishes:

Paint is meticulously applied—a proprietary ultraviolet light process that always yields an ultra thin and breathable finish so the instrument's resonance is never impaired but always imparted.

  • All our finishes are as breathable and as resonant (or more so) than the best of the best of the legendary nitro cellous lacquer finishes—without the intrinsic drying problems of lacquer.
     
  • Proof of this can be heard in the vibrance of the instrument.  One strum unplugged tells the whole story—loud, rich, full and ringing.  Nothing rings out like an Anderson.

 

Hardware is hand selected and many parts are Anderson–modified and assembled to insure superior function in every way. There are no compromises here either.  Want some for instances:

Our vintage tremolo bridge is assembled in-house from four different, specially selected components for superior function, tone and feel.All Bigsby bridges are modified and play wonderfully in tune.  You can jump on this like a diving board.Each and every Floyd Rose bridge is individually radius-calibrated to perfectly match neck radius.Tuner buttons are specifically selected to give a vintage look while underneath is a high level tuning machine.

Anderson Advantage: Twin Rear Strap Buttons ensure your guitar will not topple over during a quick break in your playing action, while equally comfortable to strap on with greater adjustment.

 

  • Pickups—so many models available that we would have to go back and count to know how many we actually now offer.  All of our pickups are built and wound in our factory using only the finest materials—some exclusive to Anderson alone.  All are tone developed and tested in Anderson guitars for Anderson guitars—anything from real vintage single coils to hum-canceling singles to full humbucks to hum-free Soapbars to our unique M–series pickups—vintage or modern, sweet or aggressive.
  • Switching—the accomplished goal here is to give you simple and familiar control with the greatest versatility possibility—almost every combination, simply at your fingertips, while pure and unaltered tone remains soundly intact. So sweet!
  • Final Assembly—is a work of art within itself.  Components made to their highest level now come together to create a whole greater than the sum of the parts, and function as one smooth and sleek instrument. Every detail of every detail is addressed.  This is where our amazing fretwork is finalized with a fret dress that addresses each and every detail of the fret surface—not just the flat areas.  The most detailed fret job in the industry, and you can easily tell every time you play any Anderson guitar—pure ecstasy of playability.
  • Every aspect of every design, every component used and every model of every guitar is tested, re-tested, played, gigged, tested again, gigged again and felt through our souls, until we are completely satisfied that nothing is left unintended and all aspects are supremely pleasing.  In some cases this process can go on for over a year before any new Anderson instrument or innovation gets to your hands.  But it is so worth it in the end.
     
  • When your Anderson arrives, you can lift it from its case (quick touch up of tuning and maybe truss rod, of course) and right to the stage where Anderson resonance, playability and magic will clearly make itself known to all. And you don't have to think about any of the above-listed attributes (and many more unlisted) because we do that for you, so all you have to do is play.

The process is such a fun one here at Anderson Guitarworks:

We spend countless hours listening, testing, and playing our instruments and our pickups (we really do this, and we like it…a lot).

The process begins with the creation of the most precise and comfortable bodies and necks possible. We accomplish this by choosing only the finest and most beautiful woods from select lumber mills. Our design and manufacturing process utilizes the best of both old and new world craftsmanship. Ground breaking computer-aided technology is used to achieve the most exacting tolerances found in the guitar industry, while the fine-detail woodwork and beautiful finish-sanding are done by the hands of a master.

Specifications

Guitar Model:Hollow Cobra

Scale Length:Shorty (24 3/4-inch)

Body Wood:Quilted Maple Top on Mahogany

Body Finish:Translucent Orange with Binding

Neck Wood:Mahogany, African Rosewood Fretboard

Neck Finish:Matching Headstock, Satin Back

Neck Back Shape:

Nut Width:1 11/16 in

Frets:Heavy

Hardware Color:Chrome

Bridge:Non-Tremolo Fixed Bridge

Pickups:H1- HW2

Switching:5 Way, Pull on Tone Knob splits middle position

Strings:.010-.046 Elixir strings

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