Waves (Native) Video Sound Suite, from Waves

Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.

Features:

• Vintage Opto and modern Electro compression modes
• Internal brickwall limiting for clip-free output
• ARC™ Auto Release Control for increased RMS levels
• Double precision bit resolution processing
• Up to 24bit 192kHz resolution
• Mono and Stereo components
• Supports TDM, RTAS, Audio Suite, VST, AU
• PC and Mac compatible

Controls:

ARC™ Automatic Release Control or Manual

Compressor Behavior Opto or Electro

Character Warm or Smooth

Input Meter -60dB to 0dB with peak hold indicators

Threshold -60dB to 0dB

Ratio 0.50:1 to 50.00:1

Attenuation Meter -20dB to +6dB with peak hold

Attack 0.5ms to 500ms

Release 5ms to 5,000ms

Output Gain -30dB to +30dB

Output Meter -60dB to 0dB with peak hold and clip indicators

Clip-Guard Output Limiter

Ambient noise: Hiss. Hum. Traffic. Wind. Air conditioning. They can all wreak havoc on dialog tracks. With Waves W43, they’re a thing of the past.

Inspired by the renowned CAT43, the W43 noise reduction plugin builds upon the legacy of the popular unit that’s been a post production favorite for decades. With four fixed frequency bands, the W43 is an affordable, easy-to-use plugin which delivers high quality, minimal artifact noise reduction like the original hardware, while adding all the advantages of software.

Working post professionals know you can never have too many noise suppression tools, since different technologies excel at different tasks. With the W43 in your tool set, you’ll be ready for any noisy dialog that comes your way.

When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

Features:

• RT60 extends reverb time up to four times while preserving natural
  envelope and frequency content
• Over 100 Impulse Responses
• Upgradeable to IR1 or IR360°
• Double precision bit resolution processing
• Up to 24bit 96kHz resolution
• Mono, Mono-to-Stereo and Stereo components
• Supports RTAS, Audio Suite, VST, AU.
• PC and Mac compatible

Controls:

CPU Mode Full CPU or Low CPU

IR Graph

• Gain and Time -90dB to 0dB, 0s to 10s
• Zoom In and out on the time axis
• Zoom Reset Defaults to 6s display

Reverb Time Section

• Convolution Start 0s to 1s
• Convolution Length 0s to 6s
• RT60 Indicator 0.1s to 10s
• Ratio 0.25 to 1.00

Latency Shows the current latency in ms

Dry 0ms to 30ms delay of the dry signal

Dry/Wet 0% to 100%

Crosstalk 0 to 100 (IR-L Efficient module only)

Direct On/Off

Direct Pre-delay 0ms to 500ms

Output Gain Fader -50dB to 0dB

Output Meter -30dB to 0dB with peak hold and clip indicators

The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

Features:

• 7 Plugin Components 1, 2, 3, 4, 6, 8 and 10 bands
• Separate or Linked processing and parameter control
• Advanced noise-shaping for optimum fidelity
• Presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering,
  Crossovers, Hum Removal, and More
• Up to 24bit 192kHz resolution
• Mono and Stereo components
• Supports TDM, RTAS, Audio Suite, VST, AU
• PC and Mac compatible

Controls:

Input Gain Fader -24dB to 0dB

Input Phase Invert +/-

On/Off Switch per band

Filter Type Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band

Gain -18dB to +18dB per band

Frequency 16Hz to 21,357Hz per band

Q 0.5 to 100 per band

Frequency Band Markers Graphic control over Frequency and Gain per band

Output Gain Fader -24dB to +12dB

Trim Output gain adjustment

Output Meter -30dB to 0dB with peak hold and clip indicators

Control Mode Link Left + Right, Left Only, Right Only

Audio Split or Wideband modes

Frequency 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter

Sidechain Filter Type High Pass or Band Pass

Monitor Audio or Sidechain

Threshold -80dB to 0dB integrated with the Input Energy Meter

Attenuation Meter -30dB to 0dB with peak hold indicator

Output Meter -30dB to 0dB with peak hold indicator

The plugin that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

Professional video editors know that first impressions are lasting impressions. With producers and clients focused on every frame, even your rough cuts have to win them over. That means when you hit play, what comes out of your speakers has to be every bit as good as what’s up on the screen.

With the Waves Video Sound Suite of audio plugins, now you can sound as good as you look, quickly and easily. Using the same plugins as the industry’s leading movie and game audio professionals, you can do it all: Reduce noise. Clean up and enhance dialog. Smooth out and maximize volume. Re-create room acoustics and more.

Video Sound Suite integrates seamlessly into Avid Media Composer 5, Apple Soundtrack Pro, and Sony Vegas. Because they’re real-time plugins, it’s no longer necessary to render or create new files for every audio adjustment, and making audio changes weeks or months later is a breeze.