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The 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.
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3 similar version(s) available to choose from
DPA Microphones 2000 Series Demo - AES 2011
- Products used:
- DPA 2006A Twin Diaphragm Omnidirectional Microphone
- DPA 2006C Compact Twin Diaphragm Omnidirectional Microphone
- DPA 2011A Twin Diaphragm Cardioid Microphone
- DPA 2011C Compact Twin Diaphragm Cardioid Microphone
More text
The 2011A twin diaphragm condenser from DPA Microphones is part of their new 2000 series. The 2000 series is great for home studios and engineers looking for high quality sound at a lower cost. The ...
Less text
The 2011A twin diaphragm condenser from DPA Microphones is part of their new 2000 series. The 2000 series is great for home studios and engineers looking for high quality sound at a lower cost. The 2000 series from DPA delivers high quality audio similar to their legendary 4006 and 4011 microphones at about half the cost. You can get the 2006A , 2006C, 2011A, or 2011C. Check out SoundPure.com for more details on the differences between the microphones. Thanks to composer and producer Oscar Deric Brown for his playing! Call or email SoundPure today for more questions. 919.682.5552. or 888.528.9703.
DPA Microphones 2000 Series Demo - AES 2011
- Products used:
- DPA 2006A Twin Diaphragm Omnidirectional Microphone
- DPA 2006C Compact Twin Diaphragm Omnidirectional Microphone
- DPA 2011A Twin Diaphragm Cardioid Microphone
- DPA 2011C Compact Twin Diaphragm Cardioid Microphone
More text
The 2011A twin diaphragm condenser from DPA Microphones is part of their new 2000 series. The 2000 series is great for home studios and engineers looking for high quality sound at a lower cost. The ...
Less text
The 2011A twin diaphragm condenser from DPA Microphones is part of their new 2000 series. The 2000 series is great for home studios and engineers looking for high quality sound at a lower cost. The 2000 series from DPA delivers high quality audio similar to their legendary 4006 and 4011 microphones at about half the cost. You can get the 2006A , 2006C, 2011A, or 2011C. Check out SoundPure.com for more details on the differences between the microphones. Thanks to composer and producer Oscar Deric Brown for his playing! Call or email SoundPure today for more questions. 919.682.5552. or 888.528.9703.
AES Convention 2011 NYC - Day 3
- Products used:
- Josephson C617 (just body no capsule)
- AEA KU4 Ribbon Microphone
- Josephson SPB40 Spherical Baffle
- DPA 2006A Twin Diaphragm Omnidirectional Microphone
- DPA 2006C Compact Twin Diaphragm Omnidirectional Microphone
- DPA 2011A Twin Diaphragm Cardioid Microphone
- DPA 2011C Compact Twin Diaphragm Cardioid Microphone
More text
The Audio Engineering Society Convention in New York City at the Javits Center with the SoundPure gang. This last day we checked out some exciting new gear from AEA, Josephson, and DPA. Wes Dooley t...
Less text
The Audio Engineering Society Convention in New York City at the Javits Center with the SoundPure gang. This last day we checked out some exciting new gear from AEA, Josephson, and DPA. Wes Dooley talks about his new KU4 Unidirectional Ribbon Mic as well as his new RPQ 500 series preamp. David Josephson spoke with Todd about the design of his fantastic C617 Microphones as well as his new SPB40 baffle for the C617s. Doug spoke with Jared at DPA about several new products including the new 2000 series from DPA. Look for our other overview videos of the AES convention as well as many more in depth videos on all the new gear. Call SoundPure for any questions about these new exciting products from your favorite manufacturers.
AES Convention 2011 NYC - Day 3
- Products used:
- Josephson C617 (just body no capsule)
- AEA KU4 Ribbon Microphone
- Josephson SPB40 Spherical Baffle
- DPA 2006A Twin Diaphragm Omnidirectional Microphone
- DPA 2006C Compact Twin Diaphragm Omnidirectional Microphone
- DPA 2011A Twin Diaphragm Cardioid Microphone
- DPA 2011C Compact Twin Diaphragm Cardioid Microphone
More text
The Audio Engineering Society Convention in New York City at the Javits Center with the SoundPure gang. This last day we checked out some exciting new gear from AEA, Josephson, and DPA. Wes Dooley t...
Less text
The Audio Engineering Society Convention in New York City at the Javits Center with the SoundPure gang. This last day we checked out some exciting new gear from AEA, Josephson, and DPA. Wes Dooley talks about his new KU4 Unidirectional Ribbon Mic as well as his new RPQ 500 series preamp. David Josephson spoke with Todd about the design of his fantastic C617 Microphones as well as his new SPB40 baffle for the C617s. Doug spoke with Jared at DPA about several new products including the new 2000 series from DPA. Look for our other overview videos of the AES convention as well as many more in depth videos on all the new gear. Call SoundPure for any questions about these new exciting products from your favorite manufacturers.
Description:
2011C Twin Diaphragm Cardioid Microphone, Compact
- All-round workhorse – blends clarity, richness and dynamics
- Twin-Diaphragm capsule and interference tube technologies
- Superb stage separation and level control
- Modular flexibility
All-round workhorse
The new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities.
2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.
While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control.
Modular flexibility
2011C is part of the flexible DPA Reference Standard series. The 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound.
At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp.
Twin Diaphragm Capsule: cutting edge technology
The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league.
In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition.
The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision.
Stage addict
The 2011 has found its use on numerous stages and recording sessions. Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money.
Also available as selected stereo pair
Specs:
Specifications for 2011C Twin Diaphragm Cardioid Microphone, Compact
|
Directional pattern: |
Cardioid |
|
Principle of operation: |
Pressure gradient, with interference tube |
|
Cartridge type: |
Pre-polarized condenser, Twin Diaphragm Capsule |
|
Frequency range: |
20 Hz to 20 kHz |
|
Frequency range, ± 2 dB, at 30 cm: |
50 Hz to 17 kHz with 3 dB soft boost at 12 kHz |
|
Sensitivity, nominal, ± 2 dB at 1 kHz: |
10 mV/Pa; -40 dB re. 1 V/Pa |
|
Equivalent noise level, A-weighted: |
Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A)) |
|
Equivalent noise level, ITU-R BS.468-4: |
Typ. 33 dB (max. 36 dB) |
|
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): |
Typ. 74 dB(A) |
|
Total Harmonic Distortion (THD) at 1 kHz: |
< 1 % up to 137 dB SPL peak |
|
Dynamic range: |
Typ. 117 dB |
|
Max. SPL, peak before clipping: |
146 dB |
|
Minimum load impedance: |
2 kohm |
|
Output impedance: |
< 200 ohm |
|
Cable drive capability: |
100 m (328 ft) |
|
Output balance principle: |
Impedance balancing with Active Drive |
|
Common Mode Rejection Ratio (CMRR): |
> 50 dB |
|
Power supply (for full specifications): |
48 V Phantom power (± 4 V) |
|
Current consumption: |
2.8 mA |
|
Connector: |
XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase |
|
Color: |
Matte black |
|
Microphone weight: |
64 g (2.3 oz) |
|
Microphone diameter: |
19 mm (0.75 in) |
|
Microphone length: |
92 mm (3.6 in) |
|
Output voltage, RMS: |
> 4 V |
|
Polarity: |
+V at Pin 2 for positive sound pressure |
|
Temperature range: |
-40 °C to 45 °C (-40 °F to 113 °F) |
|
Relative Humidity (RH): |
Up to 90% |
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