CharterOak SCL1 Stereo Compressor
CharterOak SCL1 Stereo Compressor
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  • Name: Charter Oak SCL-1 Compressor - How To Compress a Heavy Kick Drum
    Description: How to Compress a Heavy Hitting Kick Drum with a Charter Oak SCL-1 Compressor. Hear the dry signal vs the compressed output and learn how to use compressors to get that perfect powerful kick.
    Products used to build this video:
    Name: Charter Oak SCL-1 Compressor - Compressing Strings and Acoustic Instruments
    Description: Using the Charter Oak SCL-1 Compressor to compress a full string and acoustic instruments mix. Engineer Mike Deming in the studio shows us how to use this beautiful piece of equipment to make sonic perfection.
    Products used to build this video:
    Name: Compressing Piano and Saxophone with the Charter Oak SCL-1 Compressor
    Description: The Charter Oak Acoustics SCL-1 transparently compressing a classical piano and saxophone mix. Part of our 4 part series on how to use compressors for different parts of a recording mix.
    Products used to build this video:
    Name: Charter Oak SCL-1 Compressor - How to Best Compress Acoustic Guitar
    Description: Sound Pure showing how to use the beautiful-sounding Charter Oak Acoustics SCL-1 Compressor to make a perfect compressed acoustic guitar mix.
    Products used to build this video:
  • This is the cleanest and most musically transparent compressor that we've ever used. We were so blown away by it that we felt compellsed to share our experiences with it with the rest of the world. So, we shot it in HD Video and posted it to youtube (if you have the computer power and bandwidth click the HD button to see it in its highest res audio/video). Otherwise, let us know if you would like some better resolution mp3 clips, and we will e-mail them to you.

    Check out the Video of the SCL1 Compressing an Acoustic Guitar with unbelievable transparency:

    Listen to the SCL1 Effortlessly Glue an entire string mix without sacrificing any clarity:

    Hear the SCL1 control a heavy kick drum accross an entire mix without harming the rest of the mix:

    The SCL1 is so transparent that it can even handle classical music (Piano and Saxaphone) without a loss of harmonic detail, the first compressor that can pull music of this typ e off that we've ever used:


  • The CharterOak SCL-1 Discrete Compressor Limiter will provide a constant output level regardless of input level or frequency, without the familiar pumping and gasping effect that is inherent in most compressors and limiters.

    This can be attributed to the design of the circuit, which combines the features of waveform differentiation and integration. This allows for fast attack times without overcompensation and a release characteristic that is a function of dynamic range and average program level.

    The device achieves this by employing a rectifier circuit that possesses a parabolic average charge curve. The end result of the circuit is a quick release that releases to a continually changing average level, which is determined by the parabolic charge curve of the storage capacitors.

    The CharterOak SCL-1 circuit design is straight forward, and employs NO MAGIC BLACK BOXES OR OTHER WALLET SHRINKING COMPONENTS. All of the components used in the design of the CharterOak SCL-1 are readily available items and are employed in a manner so as to provide plenty of headroom for years of reliable operation.

    The CharterOak SCL-1 is designed to fit any standard 19" rack. The unit may be used as a stereo unit, or as two independent limiters in the dual mode. This feature enables the end user to employ the device in one or two track production applications.

    Do not be afraid to drive the limiter, even with classical music formats. It WILL NOT pump or gasp.

    The processor is delivered with a lifetime warranty on all parts and labor and easy access to factory technical support.


  • Frequency Response: 20Hz-22kHz

    Harmonic Distortion: Less then 1% with 20dB of gain reduction @ +20dBm output

    Maximum Output: +22 dBm

    Signal to Noise Ration: -85dB referenced to +10dBm

    Attack Time: Adjustable from 100us to 5ms

    Hold Time: Less than 2ms. Unit provides a soft clip. (Less than 3% total harmonic distortion @ 3dB clip)

    Release Time: Adjustable from 20ms to 2 seconds

    Cross Talk: -90dB

    Input Impedance: 600 Ohms balanced

    Output Impedance: 600 Ohms balanced

    Sync Tracking Control circuits are matched to within less than .25dB over the entire gain reduction range Power Requirements 117VAC or 230 VAC

 
 

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