Avid Pro Tools HD Omni, from Avid

• 8 audio paths + 2 ch. Cue path
o Mic/line/Instrument inputs (XLR/TRS): 2
o Inserts (TRS): 2
o Line‐level Inputs (TRS): 4
o Line level Outputs (TRS): 2
o Line‐level Outputs (DSUB): 8
o AES Inputs (XLR): 2
o AES Outputs (DSUB): 8
o ADAT/SUMX I/O: 8 ch. @ 48k, 4 ch. @ 96k, 2 ch. @
192k
o S/PDIF I/O (enclosed): 2 ch.
o ADAT/SMUX/Optical S/PDIF I/O (enclosed): 8 ch. @
48k, 4 ch. @ 96k, 2 ch. @ 192k
• Cue path: 2 channels
• Curv soft knee limiter
• SRC on AES, and S/PDIF (optical and coax) inputs
• Word Clock I/O: 2
• Loop Sync I/O: 2
• Input/output cal trims: one set
• DigiLink Mini Connector: Primary and Expansion

HD OMNI is a best‐in‐class “all‐in‐one” audio interface for Pro Tools|HD users. It features 2 mic pre’s alongside other
analog and digital I/O to allow for up to 8x8 audio streams to and from Pro Tools, along with 2 extra channels of “Cue”
output. HD OMNI comes with a newly designed high quality soft‐knee analog limiter feature, Curv, which catches fast
transients and allows for tracking hotter signals. HD OMNI also features an integrated monitoring section and 14x26
channel mixer that gives users speaker control of up to 7.1 formats and persistent pass‐thru monitoring of inputs
independent of the host, so users can monitor keyboards, drum machines, mp3 players and the like, even when the
computer is powered down.