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Antelope Audio Goliath Thunderbolt Recording Interface  From Antelope

Using exceptionally fast Thunderbolt, USB, and 2 x MADI connections, the Antelope Goliath interface offers 36 analog ins and 32 analog outs , providing your studio with one of the most powerful interfaces to tackle any need.

Antelope Audio

Antelope Audio Presents: Goliath

Goliath is Antelope Audio's most powerful hybrid interface with 16 Mic Pres, an array of integrated hardware-based effects and extended connectivity options.   Antelope's extremely versatile pro audio interface Goliath is the result of more than 20 years of experience in digital audio, clocking and analog circuit design. Through custom Thunderbolt & USB plus MADI I/O it's housing a total of 36 analog ins and 32 analog outs, including 16 channels of Class-A Mic Preamps with our signature, crystal-clear AD/DA.   Thanks to a custom FPGA-based DSP engine Goliath can process up to four independent zero latency mixers and offers an impressive stack of integrated, hardware-based effects. Pro guitarists will surely fall in love with our collection of vintage and contemporary guitar amp and cabinets simulations. They will not only help you sculpture your dream guitar tone, but feel as real as any hardware gear. Goliath offers monitoring and tracking with our first reverb AuraVerb, Pultec EQ simulation and compression.   Our innovative concept for networking control allows you to manage the full functionality of the device from multiple OS X or Windows computers and iOS or Android mobile devices.    Antelope’s record setting Thunderbolt speed, combined with real-time FPGA mixers and AFX is powered by our world-renowned Acoustically Focused Clocking technology.    Goliath offers a new level of connectivity with its vast selection of digital and analog I/O options, incl. MADI, AES, ADAT and S/PDIF. The game-changing interface offers 2 Reamp Outs, 2 Headphone Outs, integrated Talkback button on the Front panel, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back. It's a piece of cake to add more analog I/O by connecting Antelope's Orion32 or Orion32+ via MADI, which will allow you to simultaneously stream 64 channels of Analog I/O.  

  • Signal Chain
    • Antelope Audio Goliath Thunderbolt Recording Interface

Manufacturer's Description from Antelope

THE MOST POWERFUL AUDIO INTERFACE ON THE MARKET

Offering the biggest number of I/O’s available on the market, Goliath is the result of Antelope’s 20+ years of experience in digital audio, innovative clocking technologies and analog circuit design.

Connectable via blazing-fast Thunderbolt™, USB & 2 x MADI, Goliath houses a total of 36 analog ins and 32 analog outs, providing digital clarity and analog realism like no other audio interface out there.

Antelope’s most powerful audio interface comes with an array of hardware-based audio effects, among which vintage guitar amps & cabs, AuraVerb reverb, legendary EQ and compressor emulations, plus our world-renowned Acoustically Focused Clocking technology.

FEATURING:

  • 16 MIC PRES : 16 Class-A Mic preamps. Hi-Z, Mic & Line ins
  • PRISTINE AD/DA: 24-bit, 192 kHz audio and Antelope Audio’s signature pristine conversion
  • ZERO LATENCY: 64 channels I/O simultaneous streaming, multiple mixers and effects processing
  • 64-BIT ACOUSTICALLY FOCUSED CLOCKING :4th Generation Antelope Audio jitter management technology
  • PRO GUITAR EFFECTS: Hardware-based effects for next level guitar amp modeling
  • CONVENIENT CONTROL: Intuitive desktop and mobile apps and front panel touch screen


THE SOUND YOU HAVE ALWAYS DREAMED OF

Flawless clocking and unique analog circuitry brings pro sound to a new level.

At Antelope Audio we love to say that best clock = best sound.

So, no surprise that our 4th generation of Acoustically Focused Clocking jitter management algorithms (AFC) is in charge of Goliath’s flawless clocking. The audio interface features the oven-controlled crystal oscillator you know from Antelope’s signature crystal-based master clocks.

For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock – 10MX, and it can also be used as a master clock for two other devices via Word Clock Outs on BNC.

REALISTIC VINTAGE FX

Process multiple zero latency mixes and get crazy creative with Goliath’s custom hardware-based effects.

Goliath employs Antelope’s powerful FPGA-based DSP engine, a massive platform allowing you to process four zero latency mixers with custom effects.

These include the stunning AuraVerb reverb and several modern and vintage hardware EQ and compressor models.

Antelope’s new RealModel technology recreate not only the true sound of classic analog gear but its behavior and feel as well. Stacks of effects can be combined in custom FX Chains and saved as Presets.

 

All our guitar amp and cabs simulations were developed in a partnership with leaders in guitar software Overloud Audio Tools, so we know guitar players will just love Goliath.

64 CHANNELS OF THUNDERBOLT

can be routed to a vast selection of digital and Analog I/O options, including MADI, AES, ADAT, and S/PDIF.

Goliath offers 36 Analog Inputs and 32 Analog Outputs with pristine AD/DA converters. These include 4 superb Instrument DI’s, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back.

The DB25 connectors feature 24 Outputs (1-8 can be level controlled for Surround Sound Mixing) and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing.

Even more Analog I/O Channels can be added by connecting Antelope’s Orion32 or Orion32+ via MADI for a total of 64 Channels of Analog I/O simultaneously.

TOUCH AND CONTROL:

Reinvent your studio experience with Goliath’s advanced control options.

All Goliath functions are accessible via its intuitive, high-resolution touch screen. All features of the audio interface can be also accessed via the OS X and Windows compatible Software Control Panel. Just like all new breed Antelope Audio devices. the Goliath follows our networking control concept. This means you can now access all Goliath features from multiple computers in the same network.

Antelope Audio

About Manufacturer

ANTELOPE AUDIO
Digital clarity | Analog warmth
Antelope Audio has packed more then 20 years’ experience in digital audio, clocking and analog circuit development. We are dedicated to helping people achieve high-definition sound both in the recording studio and home environment.
Our 20 years in the industry brought us to the development of our 4th generation of Acoustically Focused Clocking (AFC) jitter management algorithm, responsible for our flawless clocking. You probably know it from Antelope’s signature crystal-based master clocks, that clock even our competitors products.

Specifications

ANALOG INPUTS:

  • 16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms
  • 16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also)
  • 4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front

ANALOG INSERTS:

  • 2 x Inserts on TRS 1/4 jacks (dedicated to rear universal inputs 1, 2)

DIGITAL INPUTS:

  • 2 x Fiber Optic MADI (up to 64CH each)
  • 2 x ADAT (up to 16CH)
  • 8 x AES/EBU on D-SUB 25 (16CHs)
  • 1 x S/PDIF

WORLD CLOCK INPUT:

  • 1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz

ATOMIC CLOCK INPUT:

  • 1 x 10M Input @ 75 Ohms 1Vpp on BNC

ANALOG OUTPUTS:

  • 24 x Line outs on two D-SUB 25, +20dBu, 56 Ohms
  • 2 x Monitor outs on TRS 1/4 jacks
  • 2 x Stereo Headphone outs on TRS
  • 2 x ReAmp outs on TRS

DIGITAL OUTPUTS:

  • 2 x ADAT
  • 8 x AES/EBU on D-SUB 25 (16CHs)
  • 1 x S/PDIF

WORLD CLOCK OUTPUTS:

  • 2 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz

THUNDERBOLT:

  • 1 x Thunderbolt (64 channels I/O)

D/A MONITOR CONVERTER:

  • Dynamic Range: 129 dB; THD + N: -108 dB

D/A CONVERTER:

  • Dynamic Range: 120 dB; THD + N: -107 dB

A/D CONVERTER:

  • Dynamic Range: 120 dB; THD + N: -110 dB

CLOCKING SYSTEM:

  • 4th Generation Acoustically Focused Clocking
  • 64-bit DDS
  • Oven Controlled Crystal Oscillator

CLOCKING STABILITY:

  • <+/-0.02 ppm, oven controlled at 64.5°C/ 148.1°F

CLOCK AGING:

  • <1 ppm per year

CLOCK CALIBRATION:

  • <+/-0.001 ppm

SAMPLE RATES:

  • 32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)

OPERATING TEMPERATURE:

  • 0-50°C/32-122°F

WEIGHT:

  • 6.8 kg/ 15 lbs approx

DIMENSIONS: 

  • Width: 483mm /19”
  • Height: 81mm / 3.2”
  • Depth: 279mm / 11”

POWER SUPPLY:

  • AC Universal input ~95-245 V
  • Power Consumption
  • 40 Watts Max

MIC PRE:

  • Gain: 0, 10 – 65 dB
  • THD + N: -108 dB

USB I/O:

  • 1 x USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B

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Goliath Interface Manual

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