Sonnox Elite Plug-in Bundle (TDM)  From Sonnox

The ultimate collection of Oxford Plug-ins for the TDM User.

Sonnox Ltd. (Sony Oxford)

$1,850.00

Retail:  $1,995.00

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Manufacturer's Description from Sonnox

The Oxford Plug-ins have earned a world-class reputation for their high-quality processing, precision control and intuitive graphical interfaces.

The Sonnox Elite Collection contains seven powerful mixing plug-ins used by countless professionals all over the world. Don’t waste money or time collecting Oxford plug-ins one by one, save a massive 40% off the individual prices, by purchasing them as the Sonnox Elite Collection.

Contains: Oxford EQ, Oxford Dynamics, Oxford Inflator, Oxford Transient Modulator, Oxford Reverb, Oxford Limiter and Oxford SuprEsser.


Oxford EQ

The renowned Oxford EQ is based on the original EQ section of the Sony OXF-R3 large format digital mixing console. It is a 5-band EQ with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The Oxford EQ also features four different EQ curves that cover a broad array of styles, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. The Oxford EQ truly is four equalisers in one plug-in and will provide all the EQ you’ll ever need!

Features
  • Fully 64-bit compliant
  • 5 band fully parametric EQ
  • Variable HF & LF filters up to 36dB/Octave
  • Algorithm taken directly from the Sony OXF-R3
  • Four different EQ types in one plug-in
  • Fully de-cramped HF response
  • A / B switches (automatable)
  • Ultra low noise and distortion


Oxford Dynamics

 The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.

Features
  • Fully 64-bit compliant
  • The dynamics section from Sony OXF-R3 console
  • Separate sections for Compressor, Gate, Expander, Limiter
  • 2-Band side chain EQ (with audition function)
  • Warmth control for extra presence and tube-like warmth
  • Three different compressor types (linear and exponential curves)
  • Variable soft knee compressor
  • Separate 5.1 bus compressor (where supported)
  • Ultra low noise and distortion

 

Oxford Inflator

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems.

Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.

Features
  • Fully 64-bit compliant
  • Adds presence and tube-like warmth
  • Increases perceived loudness of any material
  • Provides virtual headroom above digital maximum
  • Direct and band-split modes

 

Oxford TransMod

The Transient Modulator allows dramatic manipulation of signal transients. It can completely exaggerate or dampen the attacks, with continuous variation between all settings. A 'soggy' drum kit can be brought to life, or a bass made to sound more punchy. Conversely, it can bring up the ambience surrounding a specific sound by softening the attack. The TransMod can give life to dull sounding recordings, without the unwanted changes in overall timbre associated with compression.

Features
  • Fully 64-bit compliant
  • Accentuates or softens attacks and transients
  • Brings instruments forwards or pushes them back in the mix
  • Radically changes the dynamics of instruments
  • Variable harmonic enhancement for extra punch
  • Can have the effect of increasing or decreasing room ambience
  • Gives life to dull sounding recordings without the artifacts of compression


Oxford Reverb

The Oxford Reverb plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character.

Features
  • Fully 64-bit compliant
  • Extremely flexible stereo modelling reverb
  • Full control over all of its many parameters
  • Independent control of early reflections and reverb tail
  • Integrated 5-band EQ
  • Over 100 invaluable presets for music and post-production


Oxford Limiter

The Oxford Limiter has been developed from decades of professional audio experience to provide a very high degree of quality and facility in programme loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, programme loudness maximisation or heavily applied artistic sound effects.

Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied to programme beyond that available from conventional limiting functions.

Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of the programme in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed 'inter sample peaks').

A further function allows the user to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing illegal signals often associated with compression and limiting.

Comprehensive dithering functionality with selectable and variable depth noise shaping ensures first class mastering output quality in either 24 bit or 16 bit modes.
Features
  • Fully 64-bit compliant
  • Enhance section to increase perceived loudness
  • Reconstruction meter shows ‘actual’ signal rather than sampled signal
  • Auto compensate feature corrects recon errors without losing overall programme loudness
  • Attack, release and variable soft knee controls
  • Comprehensive dither and noise shaping
  • Complete with many factory presets


Oxford SuprEsser

The Oxford SuprEsser is both a very highly-featured professional De-Esser and a Dynamic EQ. There is a simple mode for quick fixes, but also an advanced mode for increased functionality and fine-tuning. The combination of an intuitive FFT display and three listen modes enables the user to easily see and hear exactly where the problem frequencies are, allowing the rapid reduction or removal of the offending audio. As well as being able to trigger the full band compression, only the offending frequencies can be carefully carved out. Since the SuprEsser can operate at all frequencies, ‘plosives’ and other annoyances can also be removed effortlessly, making it more than a simple De-Esser. Additional features include Automatic Level Tracking, Linear Phase Filtering and a Wet/Dry blend control for final balancing.
Features
  • Fully 64-bit compliant
  • Highly featured professional De-Esser
  • Linear Phase Dynamic EQ
  • Transparently controls aggressive frequencies
  • Automatic Level Tracking follows energy levels (no need to automate threshold)
  • Large intuitive graphic display makes finding frequencies very easy
  • Full Spectrum Operation (20Hz -20KHz)
  • Three different 'Listen' modes
  • Very easy to use
  • Advanced Mode for ultimate control of the Dynamic EQ
  • Many creative as well as corrective uses
  • Presets giving good starting points
Sonnox Ltd. (Sony Oxford)

About Manufacturer

Sonnox Ltd. has evolved out of Sony Oxford, which in turn traces its history back to a group of five dedicated audio professionals that first worked together in the early 1980s. These engineers spent many years together designing analogue and digital consoles for Solid State Logic, and subsequently left to start a new Company in 1988 that was called Oxford Digital. Over the following few years the team slowly expanded, until in 1993 it became Sony Oxford. The major product design from Sony Oxford was the OXF-R3 Digital Mixing Console, commonly called 'the Oxford Console'. This high end digital audio console was conceived by Oxford Digital in the late 1980s and productised for commercial release by Sony in the mid 1990s. All hardware and software, all audio i/o, all system architecture and cosmetic design, and all audio algorithms and signal flow were designed by the engineers in Oxford, including an audio DSP chip (at that time it was impossible to buy DSP technology with enough power). Even a bespoke microcode compiler and router were developed from scratch. Although software maintenance of the OXF-R3 continued for some years, the core activities of the group diversified. Sony Oxford became the world leader for development of 1-bit audio processing (DSD, the basis for SACD), and additionally a variety of R&D contracts were undertaken on behalf of various groups in Sony. As technology became cheaper with increasing power, a group formed in Sony Oxford that began to focus on how best to re-purpose the Oxford technologies into audio workstations. This group became a development partner with DigiDesign and began work to create the Oxford EQ for Pro Tools. At the same time, work was started on the infrastructure for an e-commerce scheme that would become instrumental for sales and registration of the new software products. In September 2002 the CD boxed versions of the OXF-R3 EQ started selling around the world. This was followed by a port of the EQ to TC Works PowerCore, a version of the OXF-R3 Dynamics section, and then two newer plug-ins (the Inflator and the TransMod), which didn't feature prominently in the Oxford console and needed significant re-working for the plug-ins market. These early products were followed with a Reverb and a Limiter, and the platform base was broadened to include native hosts such as VST and Audio Units. By 2006 this plug-ins software initiative was operating as an almost self-contained business unit within Sony. To stimulate the business and allow it to thrive, the business unit was spun out of Sony in April 2007 and became a new and independent Company called Sonnox Ltd. Looking to the future, Sonnox is committed to expanding its plug-ins business with frequent introduction of new products and support for a wide range of platforms. We are working hard to grow the world-wide distribution channels for our products. We're introducing innovations such as the MediaPack, which allows simple and flexible purchase of our products from any outlet; and Flexible Bundling, which invites the customer to choose the plug-ins in his own custom bundle and tops this with a generous flexible discount. However, it all comes down to a passion for audio. We take a no-compromise attitude to our designs. We put extreme care into the quality, the functionality and the performance; we agonise over the user interface; we test, test and re-test; and we listen to feedback from our customers. We take great pride in our after-sales support. We want to provide you, the audio professional, with the innovative tools you need to undertake your job with more creativity, more flexibility and more efficiency. Our pedigree, for want of a better term, is the high end recording studio where quality is crucial. The philosophy behind our products has always been to couple the highest quality audio with intuitive operational simplicity, and bring that to the pro-audio market at an affordable price.