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Peluso R14 Ribbon Microphone Demo/Open Box From Peluso

Nice big, forward bottom-end performance coupled with smooth round ribbon highs.

Special ends:

$689.00

Retail: $799.00

Open Box

Save with This Demo!

Demo units have been demoed at Sound Pure, tested, or, in some cases, returned by a customer. They are guaranteed in perfect working order with full manufacturer warranty! Want us to confirm condition? Just give us a call.

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Call us now to set up a free trial in your home or studio: 888-528-9703. Our specialists will help you select the best fit for your needs and hook up your free trial for the ultimate peace of mind. Experience the Sound Pure difference!

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Free Lifetime Technical Support!

Our small team of dedicated experts is here to help the original purchaser for the lifetime of the product. Why? Because we care about building real relationships with our customers for life and stand behind every product we sell.

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This Product Ships Free!

Products ship from our well-located, climate- and humidity-controlled warehouse absolutely free (inside the continental USA). Low-cost international shipping options exist for most products.

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Rating: 4.8
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Payments as low as $60/mo.

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What We Think

Peluso has made yet another incredible contribution to the high end microphone market, at a surprising price point. The R14 represents a fantastic blend between the aggressive, boxey bottom end, but well-built and resilient character of the Royer R-121 with the more versatile smoother top end associated with the AEA R84 and Coles 4038's.

This microphone is extremely well balanced, and will work wonderfully on your electric guitar cabinets, where you'd gladly stick your 121. But also where you are looking for something a little smoother on top, such as ribbon textured vocals or acoustic instruments where the boxey sound across the entire frequency spectrum of a Royer 121 can fall short.

If you are looking for a microphone to do more than just your electric guitar cabinet, this thing is too under priced to look elsewhere. The price makes this thing an absolute must have, with pairs of these selling for roughly the same price of Royer and Coles ribbon mics.

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Ultimate Slide Recording Technique: Feat. Peluso P-87 and Peluso R-14 Microphones

In this video, SoundPure Pro Audio Expert, Travis Hall revisits the Ultimate Slide Recording Technique to show just how that amazing slide guitar sound was achieved. Using a mix of a Peluso P-87 LDC on the Reso and a Peluso R-14 Ribbon on the amp, and running them through two Dave Hill Designs Europa 1 Preamps, we achieved a slide guitar sound that is simply outstanding. If you like what you hear, you can check out all the gear used in this video at SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Signal Chain
- Peluso P87 Multi-Pattern Solid State Microphone
- Peluso R14 Ribbon Microphone
- Carr Amplifiers Sportsman 19W 1x12 Combo Amp - Cowboy
- Dave Hill Designs Europa 1 Mic Preamp
- National NRP Tricone Cutaway Steel Guitar w/ Slimline Pickup
- Lynx Aurora 16 I/O D/A and A/D Converter
- Xotic Effects USA BB Preamp Distortion Effect Pedal - Used

Manufacturer's Description from Peluso

The Peluso R 14 Ribbon Microphone is a passive ribbon microphone. Our R-14 employs a thin corrugated aluminum ribbon tensioned between two rare earth neodymium magnets. It uses the long-ribbon geometry of classic ribbon microphones of the 1930s. The R 14 sound is rich, warm, and silky smooth with generous low end, and is known to take EQ very nicely. The natural sound of the R 14 Ribbon Microphone is the perfect complement to the condensers in your microphone collection.

Remember never blow into a ribbon microphone!

The microphone comes as a complete system including: R 14 Microphone in a Wood Box, and a Shock Mount.

About Manufacturer

High-quality, yet surprisingly affordable microphones hand-built at Peluso Labs in Virgina, USA. Peluso Microphone Lab, featuring the new and exciting line of Tube and Solid State Peluso microphones, hand-made in the USA. Peluso has a full service repair lab, twenty-six years experience repairing and restoring all brands of vintage and modern microphones.

Specifications

Technical Data

Type: Ribbon-Velocity Studio Microphone

Operating Principle: Electrodynamic Pressure Gradient

Magnets: Rare Earth Neodymium

Frequency Range: 30Hz/16KHz

Polar Pattern: Figure 8 (Bi-Directional)

Sensitivity: > -52 dBV re: 1v/pa

Impedance: 200 ohms

SPL: 149 dB

Equivalent Noise: 0 dB(A)

Power Requirements: None required or recommended

Size: 36mm x 176 mm

Weight: 496g

Sound Clips

honkey tonk electric guitar middle pickup

1. Zion Fifty Electric Guitar 2. Jule Amps Brenda K. Head 23W Guitar Amplifier 3. Mojave Ampworks 4x12 Guitar Speaker Cabinet 4. Heil PR-30 Microphone 5. A Designs EM Red 500-Series Preamp 6. Peluso R14 Ribbon Microphone 7. A Designs EM Blue 500-Series Preamp 8. Apogee Digital Rosetta 800 8 Channel A/D/A

Zion Fifty electric guitar (neck & bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

maxed transitions electric guitar bridge pickup

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

to the point electric guitar bridge pickup

bright electric guitar neck pickup

Zion Fifty electric guitar (neck pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

sweet transitions electric guitar bridge pickup

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

dragon distortion electric guitar bridge pickup

1. Trussart Steeltop Dragon Engraved sn 06-233 - SOLD! 2. Mojave Ampworks Scorpion Head Guitar Amplifier 3. Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic 4. Peluso R14 Ribbon Microphone 5. Chandler Limited TG2 Abbey Road SE Stereo Pre 6. Apogee Digital Rosetta 800 8 Channel A/D/A

Trussart Steeltop Dragon electric guitar (bridge pickup) played into Mojave Ampworks Scorpion Head( bass 1, low mid 6, high mid 7, treble 6, treble volume 7, bvol 4, high sensitivity on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with Peluso R14 into Chandler TG2 preamp feeding Apogee Rosetta 800.

crispy electric guitar position 4 pickup

1. Nash S-57 Black - SOLD! 2. Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) 3. Peluso R14 Ribbon Microphone 4. Chandler Limited TG2 Abbey Road SE Stereo Pre 5. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

boosted electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm, boosted) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

tonal electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock, boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

color filled electric guitar position 3 pickup

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

walking electric guitar position 1 pickup

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

arpeggiated electric guitar position 4 pickup

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

drivin down bright color electric guitar position 1 pickup

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

supercrunch electric guitar position 1 pickup

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm, boosted) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

tone colored electric guitar position 3 pickup

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

swelling down electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

mucho allegro electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

poco allegro electric guitar position 1 pickup

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

crispy swelling electric guitar position 3 pickup

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

fleeting bright electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

bending electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

bright color electric guitar position 2 pickup

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

dynamic licking electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

color bending electric guitar position 2 pickup

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

twangy electric guitar position 5 pickup

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

swelling electric guitar position 2 pickup

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

tonal blues electric guitar position 4 pickup

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

variable twanging electric guitar position 4 down to 1 pickup

Nash S-57 electric guitar (pickup position moving 4,3,2,1) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

clean Arpeggiated electric guitar neck pickup

1. Tyler Studio Elite Retro sn 07030 SOLD! 2. Bad Cat Black Cat Guitar Amplifier Head 3. Bad Cat 4x12 Speaker Cabinet Blk Os 4. Heil PR-40 Microphone 5. Millennia TD-1 Pre EQ DI 6. Peluso R14 Ribbon Microphone 7. Chameleon Labs 7602 MKII Mic Pre / EQ 8. AEA R84 Ribbon Microphone 9. A Designs Pacifica Stereo Preamp 10. Apogee Digital Rosetta 800 8 Channel A/D/A

James Tyler Studio Elite Retro electric guitar (neck pickup clean) played into Bad Cat Black Cat Head(triode channel, Volume 9am, Treble 12 oclock, Bass 12 oclock) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apoge... (view more)

blues licking guitar neck pickup

James Tyler Studio Elite Retro electric guitar (neck pickup) played into Bad Cat Black Cat Head(triode channel, Volume 3pm, Treble 12 oclock, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 8... (view more)