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AEA R92 Ribbon Mic & TRP Preamp Summer Package, from AEA

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AEA R92 Ribbon Mic & TRP Preamp Summer Package AEA R92 Ribbon Mic & TRP Preamp Summer Package
AEA R92 Ribbon Mic & TRP Preamp Summer Package
AEA R92 Ribbon Mic & TRP Preamp Summer Package

Save BIG with AEA's R92 and TRP Stereo Ribbon Preamp Combo! Never before seen pricing on AEA's excellent sounding R92 (known for its excellence on close-miked speaker cabinets) and their TRP preamp with impedance and gain circuitry optimized for ribbon microphones! Over $400 in savings!

$470.00 Price Drop!

AEA's Summer UltiMic Kit! Don't miss your opportunity to save!
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Usually ships 24 - 48 hours after order processed.

2 similar version(s) available to choose from

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In this video, Sound Pure electric guitar specialist Frank Hamilton tests out the Suhr Custom Modern Aqua Blue Burst Electric #JS3K8H with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Co...

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In this video, Sound Pure electric guitar specialist Frank Hamilton tests out the Suhr Custom Modern Aqua Blue Burst Electric #JS3K8H with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.

Mic'ing a Leslie Speaker Cabinet for a Hammond B3 Organ with Ribbon Microphones

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An AEA R84 pair and an R92 were used by SoundPure's Jason Richmond to record an isolated Leslie speaker box during this jazz trio session. Equally spacing the R84's on either side of the Leslie and pl...

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An AEA R84 pair and an R92 were used by SoundPure's Jason Richmond to record an isolated Leslie speaker box during this jazz trio session. Equally spacing the R84's on either side of the Leslie and placing the R92 at its bottom, Jason was able to fully capture Mark Wells' fantastic performance on the Hammond Organ. Guitarist Jared Wofford and drummer Devin Fuller join to complete the sound. The AEA ribbon mics were run through an API 3124 preamplifier and converted with the Lynx Aurora AD converter. If you want to learn more about the gear used in this session, or if you have any questions concerning the techniques used, don't hesitate to call the recording engineers here at Sound Pure Studios. 919.682.5552. or 888.528.9703.

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In this video, Sound Pure guitar specialist Frank Hamilton tests out the Suhr Custom Classic Figured Koa 2-Tone Burst HSS #JS3H9FN with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compa...

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In this video, Sound Pure guitar specialist Frank Hamilton tests out the Suhr Custom Classic Figured Koa 2-Tone Burst HSS #JS3H9FN with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.

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In this video, Sound Pure guitar specialist Frank Hamilton tests out the Anderson Pro Am Black & White Bowling Ball HSS #05-15-17N with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie C...

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In this video, Sound Pure guitar specialist Frank Hamilton tests out the Anderson Pro Am Black & White Bowling Ball HSS #05-15-17N with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.

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In this video, Sound Pure guitar specialist Frank Hamilton tests out the Anderson Pro Am Black & White Bowling Ball HSS #05-15-17N with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie C...

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In this video, Sound Pure guitar specialist Frank Hamilton tests out the Anderson Pro Am Black & White Bowling Ball HSS #05-15-17N with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.

rapido arpeggio electric guitar position 5 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 4 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 2 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 5 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 1 pickup

(click to download)
Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

R92 Ribbon Mic

In the past few years AEA's acclaimed R84 Ribbon Microphone has become a new studio standard. Now AEA has once again expanded the sonic possibilities of ribbon mics with the R92 Ribbon Microphone. Reduced proximity bass boost and excellent wind blast protection make it suitable for close micing (6-12 inches) of guitar amps, vocals, percussion, etc. In addition, the smooth high frequency response of the R88 transducer has been further extended in the R92, making the R92 a unique voice in the world of ribbon mics.

AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the "crisp" side, offering exceptionally clean and realistic high end detail. The rear lobe is the "smooth" side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA's LRGTM microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies.

The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case.

AEA's Matt Ashman comments about the R92: 'We designed it to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It's perfect for getting FAT guitar sounds with a present and clean high end."

TRP Stereo Preamp

The AEA Ribbon Mic Preamplifier is an ultra high-gain and impedance, minimal-path FET mic pre designed by Fred Forssell. This low-noise two-channel preamp is for ribbon, moving coil, and tube microphones that do not use or want phantom power. This allows for improvements in minimal path circuitry and also rids the unit of phantom-power blocking capacitors. Zener diodes on the input protect the input stage if external phantom power is applied.

First stage gain is set from +6 to +63 dB by a 12 position Grayhill switch. Another 20dB of gain is available after the output level potentiometer. Polarity reversal and high pass switches on the two channels are complimented by operating and overload LED metering.

Specifications:

* Polar Pattern: Native bidirectional (figure-eight)

* Frequency Response: 20 Hz to 18 kHz (+/- 3 dB)

* Maximum SPL: >135 dB SPL (C-weighted fast)

* Output Sensitivity: > -55 dBv/Pa

* Output Impedance: 270 ohms nominal

* Recommended Load: 1.2 K ohm or greater

* Powering: Not required or recommended

* Polarity: Pin 2 high

* Connector: XLR-3M wired to a 2 meter captive cable

* Includes durable plastic case with foam interior

* Operating manual for proper care and usage.

Transducer element

* Ribbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum

* Ribbon Width: 4.7 mm

* Ribbon Length: 59.7 mm

Limited Warranty:

* One year parts and labor, shipping not included.

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Virtually all new products sold by Sound Pure now carry our exclusive, industry-leading, Free 3-Year Product Warranty, which includes PARTS & LABOR, absolutely free.
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Price:  $1,660.00

Price Drop Discount: -$470.00

SPECIAL PRICE:

$1,190.00

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Payments as low as $27/mo.

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