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Live Performance and Recording Digital Mixer 24 x 4 x 2
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Get instant price quote! How does this work?Presonus Studio Live 16.4.2 Overview
- Products used:
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Complete breakdown of the Studio Live 16 Mixer showcasing its dynamics processing, total recall channel strip memory, Presonus Capture software compatibility and overall performance
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Complete breakdown of the Studio Live 16 Mixer showcasing its dynamics processing, total recall channel strip memory, Presonus Capture software compatibility and overall performance
Routing FX using the Studio Live 16
- Products used:
Specs:
| Microphone Preamp 1-24 (XLR Balanced) | ||
| Type | XLR Female, Balanced | |
| Frequency Response to Direct Output | 20 Hz to 40 kHz ±0.5dBu | |
| Frequency Response to Main Output | 20 Hz to 20 kHz ±0.5dBu | |
| Input Impedance (Balanced) | 1K Ohm | |
| THD to Direct Output | < 0.005%, +4dBu, 20-20kHz, unity gain, unwtd | |
| THD to Main Output) | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd | |
| EIN to Direct Output | +125 dB unwtd,, +130 dB A-wtd | |
| S/N Ratio to Direct Output | -97 dB | |
| S/N Ratio to Main Output | -94 dB | |
| Common Mode Rejection Ratio | +65 dB | |
| Gain Control Range | -16 dB to +67 dB (+/- 1 dB) | |
| Maximum Input Level (unity gain) | +16 dBu | |
| Phantom Power | +48 VDC | |
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| Line Inputs | ||
| Type | 1/4" TRS Female, balanced mono | |
| Frequency Response to Direct Outputs | 10-40 kHz, 0 / -0.5 dBu | |
| Frequency Response to Main Outputs | 20-20 kHz, +/- 0.5 dBu | |
| Input Impedance |
10 kΩ |
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| THD to Direct Output | <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd | |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd | |
| S/N Ratio to Direct Output | -105 dB | |
| S/N Ratio to Main Output | -94 dB | |
| Gain Control Range | -20 dB to +20 dB (+/- 1 dB) | |
| Maximum Input level (unity gain) | +22 dBu | |
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| Tape Inputs | ||
| Type | 1/4” TRS Female, balanced mono | |
| Maximum Input Level | +10 dBu | |
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Auxiliary Inputs |
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| Type | 1/4” TRS Female, balanced (2 stereo pairs) | |
| Maximum Input Level | +22 dBu | |
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| Main Outputs | ||
| Type | Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair); XLR Male, balanced (mono) | |
| Rated Output Level | +24 dBu | |
| Output Impedance | 10 kΩ | |
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| Aux Outputs | ||
| Type | 1/4” TRS Female, balanced (mono) | |
| Rated Output Level | +18 dBu | |
| Output Impedance | 51 Ω | |
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Subgroup Outputs |
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| Type | 1/4” TRS Female, balanced (mono) | |
| Rated Output Level | +18 dBu | |
| Output Impedance | 51 Ω | |
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| Tape Outputs | ||
| Type | RCA Female, unbalanced (stereo pair) | |
| Rated Output Level | +18 dBu | |
| Output Impedance | 100 Ω | |
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| Control Room Outputs | ||
| Type | 1/4” TRS Female, balanced (stereo pair) | |
| Rated Output Level | +18 dBu | |
| Output Impedance | 51 Ω | |
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System Cross Talk |
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| Input to Output | -90 dBu | |
| Adjacent Channels | -87 dBu | |
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| Noise Gate / Expander | ||
| Key Listen Filter () | 2nd order resonant bypass; Q=0.7; OFF, 40Hz-16kHz | |
| Threshold Range | -84 dB to 0 dB | |
| Gate Attenuation Range | -84 dB to 0 dB | |
| Attack Time | 0.02s to 500ms | |
| Release Time | 0.05s to 2s | |
| Expander Attenuation Range | 2:1 | |
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| Limiter | ||
| Threshold | -28dBFS | |
| Ratio | ∞ :1 | |
| Attack | 20ns | |
| Hold | 10ms | |
| Release | 20ms | |
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| Compressor | ||
| Threshold Range | -56 dB to 0 dB | |
| Ratio | 1:1 to 14:1 | |
| Attack Time | 0.2 ms to 150 ms | |
| Release Time | 40 ms to 1000 ms | |
| Auto Attack and Release | Attack = 10 ms, Release = 150 ms | |
| Curve Types | hard and soft knee | |
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| EQ | ||
| Type | 2nd order shelving filter (Q = 0.55) | |
| Q | 0.1 to 4 | |
| Low (Lowpass or Bandpass) | 36 to 465 Hz, ± 15 dB | |
| Low Mid | 90 Hz to 1.2 kHz, ±15 dB | |
| High Mid | 380 Hz to 5 kHz, ±15 dB | |
| High (Highpass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB | |
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| Graphic EQ | ||
| 31- Band 1/3rd Octave Controls | Curve-fitting algorithm | |
| Gain/Attenuation | ±15 dB | |
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| Digital Audio | ||
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB | |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB | |
| FireWire | S400, 400Mb/s | |
| Internal Processing | 32-bit, floating point | |
| Sampling Rate | 44.1, 48 kHz | |
| A/D/A Bit Depth | 24 | |
| Reference Level for 0 dBFS | -18 dBu | |
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| Clock | ||
| Jitter | <20 ps RMS (20 Hz - 20 kHz) | |
| Jitter Attenuation | >60 dB (1 ns in ≈ 1 ps out) | |
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| Power/Environmental | ||
| Connector | IEC | |
| Input-Voltage Range | 100 to 240 V~, 50-60Hz | |
| Power Requirements (continuous) | 100 W | |
| Temperature Range | 0 - 40 degrees celsius | |
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| Physical | ||
| Length | 22.35 inches (568.06 mm) | |
| Width (chassis only) | 17.22 inches (437.40 mm) | |
| Width (with rack ears) | 19 inches (482.60 mm) | |
| Maximum Height | 6.90 inches (175.26 mm) | |
| Weight | 23 lbs. | |
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Description:
You’ll never go back to an old-school analog mixer once you’ve used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you’ll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.
But StudioLive is not simply a mixer, it’s a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.
The StudioLive 24.4.2 is a fine choice for those who want to mix small to medium-sized shows and worship services, and it’s a great choice for club systems, corporate applications, and educational institutions. And it’s the perfect hardware core for a project studio.
Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 10 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more. Yet despite its many controls and features, it’s compact and easy to transport.
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