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swelling Arpeggiated electric guitar (click to download)- Melancon Master Artist 03-1294 Electric Guitar >
- Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier >
- Heil PR-40 Microphone >
- Vintech Audio X73i (Neve 1073) Pre/EQ >
- AEA R92 Ribbon Microphone >
- A Designs EM RED 500 series Preamp >
- Neumann U87ai Microphone w/ Peluso Shockmount >
- Presonus ADL 600 Stereo Tube Mic Preamp >
- Apogee Digital Rosetta 800 8 Channel A/D/A
Description: Melancon Master Artist electric guitar (volume knob swell) played into Mojave Plexi 45 2X12 ceramic combo mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.swelling Arpeggiated electric guitar (click to download)- Melancon Master Artist 03-1294 Electric Guitar >
- Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier >
- Neumann U87ai Microphone w/ Peluso Shockmount >
- Presonus ADL 600 Stereo Tube Mic Preamp >
- Apogee Digital Rosetta 800 8 Channel A/D/A
Description: Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume knob swell) & mic'd with Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.hot riffy electric guitar bridge pickup (click to download)- Trussart Steelcaster Deluxe sn 06207 SOLD!!! >
- Jule Amps Brenda K. Head 23W Guitar Amplifier >
- Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic >
- Neumann U87ai Microphone w/ Peluso Shockmount >
- Presonus ADL 600 Stereo Tube Mic Preamp >
- AEA R92 Ribbon Microphone >
- Chandler Limited TG2 Abbey Road Special Addition Stereo Preamp >
- Apogee Digital Rosetta 800 8 Channel A/D/A
Description: Trussart Steelcaster Deluxe electric guitar (volume 12 o'clock, bright on, boost on, tone 12 o'clock, bridge pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.bright bluesy electric guitar bridge pickup (click to download)- Trussart Steelcaster Deluxe sn 06207 SOLD!!! >
- Jule Amps Brenda K. Head 23W Guitar Amplifier >
- Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic >
- Neumann U87ai Microphone w/ Peluso Shockmount >
- Presonus ADL 600 Stereo Tube Mic Preamp >
- AEA R92 Ribbon Microphone >
- Chandler Limited TG2 Abbey Road Special Addition Stereo Preamp >
- Apogee Digital Rosetta 800 8 Channel A/D/A
Description: Trussart Steelcaster Deluxe electric guitar (bridge pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.all the way up electric guitar (click to download)- Melancon Master Artist 03-1294 Electric Guitar >
- Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier >
- Heil PR-40 Microphone >
- Vintech Audio X73i (Neve 1073) Pre/EQ >
- AEA R92 Ribbon Microphone >
- A Designs EM RED 500 series Preamp >
- Neumann U87ai Microphone w/ Peluso Shockmount >
- Presonus ADL 600 Stereo Tube Mic Preamp >
- Apogee Digital Rosetta 800 8 Channel A/D/A
Description: Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume all the way up) mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.click for more sound clips
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The ADL 600 is a high voltage two-channel original microphone preamplifier designed by world-renown analog tube circuit designer Anthony DeMaria. The ADL 600 utilizes a unique high voltage, Class A discrete design with three vacuum tubes per channel for maximum headroom and tonality. The ADL 600 is built by hand in the USA by PreSonus and utilizes the finest components in the world including switched attenuators, military-grade vacuum tubes, analog VU and LED meters, custom-designed proprietary transformers, and the list goes on. No expenses are spared with the ADL 600 down to the last polypropylene film capacitor. The ADL 600 is big, warm, smooth, and clear; a sound like no other.Control and Flexibility
The ADL 600 is designed for ultimate sonic performance, however its ease of use and flexibility allowing for many types of input sources further sets it above all other preamplifiers. The input selector allows for selection between Hi-Z instrument input, line input and four different microphone impedances for a wide variety of sounds and applications. The High Pass Filter is a rotary switch with three filter settings (40Hz, 80Hz, and 120Hz @ 6dB per octave) for passively and unobtrusively controlling room rumble and low frequency noise. The input gain attenuator is a military-grade rotary switch delivering 5dB step increments and a total preamplifier gain of over 72dB. The output stage is controlled by a fully variable conductive plastic attenuator delivering +/-10dB of fine tune trim adjustment to "dial-in" the perfect gain structure for the application at hand. The ADL 600 also includes 48V phantom power and a -20dB pad both controlled by big sturdy military grade switches.Under the Hood
The ADL 600 is built with the finest components available in the world. The ADL 600 is a fully discrete transformer input and output Class A design incorporating three military-grade vacuum tubes per channel operating at voltages of +/-300V power rails for maximum tube tonality and headroom. There are no op-amps or integrated circuits (IC's) in the signal path to ensure the purest sound possible. The dual transformer design also ensures ultra low noise operation with maximum common mode rejection.Metering
The ADL 600 is loaded with both fast-acting eight-segment LED meters for accurately detecting fast transients and peaks, as well as large high quality analog VU meters for metering output level.Features:
- High-Voltage Class A Dual Transformer Design
- >73dB Gain
- Selectable Microphone Input Impedance - Switched Gain and Variable Fine Trim Controls
- Microphone, Instrument and Line Inputs
- Ultra Low Noise (-100dB S/N ratio)
- Variable High Pass Filter, 48V, -20dB Pad, Polarity Invert
- Analog VU and Fast-Acting LED Metering -
Input Impedence
Microphone Selectable, 150/300/900/1500 Ohm Balanced Line 2KOhm Instrument 100KOhm Maximum Input Level Microphone (1500Ohm, +20dB Pad out) +5dBu Microphone (1500Ohm, +20dB Pad in) +25dBu Balanced Line +30dBu Instrument +30dBu Gain Range Microphone (1500Ohm, +20dB Pad out) 18dB to 72dB Balanced Line -12dB to 40dB Instrument -5dB to 42dB Noise Floor (all inputs, minimum gain) -95dBu (A-weighted) Microphone Equivalent Input Noise (EIN) -125dBu (A-weighted) Frequency Response 10Hz to 45KHz +/- 1dB Maximum Output Level +23dBu (@ 0.5%THD+N) Output Impedance 600 Ohm Tube Complement (per channel) 1-12AT7A, 2-6922 General Power (Factory Configured) 115 or 230 VAC / 100Watts Dimensions 3.5" (H) X 17.0" (D) X 19.0" (W) Weight 28 lb






