Stereo Mic Pre With Direct Interface For Instruments.
2 similar version(s) available to choose from
The DRS-8 developed by Phoenix Audio UK is an 8 channel, Neve influenced, preamp designed with Class A discrete technology with both the professional and home studio artists in mind. Modeled after ...
The DRS-8 developed by Phoenix Audio UK is an 8 channel, Neve influenced, preamp designed with Class A discrete technology with both the professional and home studio artists in mind. Modeled after Phoenix's other famous preamps, the DRS-1 and DRS-2, the DRS8 uses a transformer less, Class A, discrete mic input which gives you a "valve-like" sound. The Phoenix Audio DRS-8 is extremely versatile complimenting an array of instruments including acoustic guitars, electric guitar, percussion instruments, vocals, horns, and keyboards. The cost-per-channel is also unbeatable for a preamp of this quality. Please contact our experts, here at SoundPure, with any questions 919.682.5552 or 888-528-9703.
The Phoenix DRS8 Microphone Preamp from Phoenix Audio is an eight channel pre with discrete input technology, a linear class A output stage and loads of tonal variability. This Neve-influenced preamp,...
The Phoenix DRS8 Microphone Preamp from Phoenix Audio is an eight channel pre with discrete input technology, a linear class A output stage and loads of tonal variability. This Neve-influenced preamp, modeled after the Phoenix DRS1 and DRS2, can be clean and clear or full of color and character, depending on the results you desire. The DRS-8 from Phoenix works wonderfully on many different applications such as acoustic guitar, as demonstrated in this video, electric guitar, drums, vocals, keyboards, and much more. Watch our other videos featuring this incredibly versatile preamp. For more information visit Soundpure.com or contact an experienced engineer who can help you with your pro audio needs. 919.682.5552 or Toll Free at 888.528.9703.
The DRS-8 microphone preamp from Phoenix Audio UK is an 8 channel Neve influenced mic pre featuring Phoenix's groundbreaking audio path. Being modeled after the famous Phoenix DRS-1 and DRS-2 mic prea...
The DRS-8 microphone preamp from Phoenix Audio UK is an 8 channel Neve influenced mic pre featuring Phoenix's groundbreaking audio path. Being modeled after the famous Phoenix DRS-1 and DRS-2 mic preamps, the DRS-8 utilizes the linear Class A output stage, giving the unit a warm and colored quality. Combine that with the latest innovation in transformerless Class A discrete mic input technology and you've got one of the best sounding guitar preamps on the market with an incredibly affordable cost-per-channel price tag. Call the experts here at Sound Pure if you have any questions regarding the Phoenix DRS-8 mic pre or any other products from Phoenix Audio UK.
The highly featured Phoenix Audio DRS-8 Microphone Preamp is released at a very reasonable price-point (around $3500 USD), at the October 2009 AES Convention in New York City. This brings the identica...
The highly featured Phoenix Audio DRS-8 Microphone Preamp is released at a very reasonable price-point (around $3500 USD), at the October 2009 AES Convention in New York City. This brings the identical outstanding coloration and quality from the original signal paths of the Phoenix DSR-2 mic preamps that are now famous, due to their modern interpretation of Neve coloration/circuitry, combining color with a more modern twist. The DRS-8 from Phoenix is at an extraordinary-cost-per-channel, making it a virtually unequaled value for those looking for high-end vintage-style coloration, and a higher quantity of channels without breaking the bank. This wonderful preamp is available or purchase through Sound Pure, who is always available to answer any questions you have about the high-end recording process. Call Sound Pure toll free 888-528-9703, or e-mail them at sales(at)soundpure.com
Travis Hall of the Sound Pure Pro Audio Team briefly discusses the more general physical and sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we ...
Travis Hall of the Sound Pure Pro Audio Team briefly discusses the more general physical and sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we brought back our Miktek C5 SDC and C7 LDC microphones for comparison on two different acoustic guitars. Being a Small Diaphragm Condenser with a faster, smaller capsule, the C5 showcases incredible transient detail, string articulation, and an overall tighter low-end. With it's larger capsule size, the C7 Large Diaphragm Condenser showcases a little more warmth and roundness (particularly in the low-end) and smoothed out some of the transient detail from the strings. While every mic has it's own unique voice and response, these broader characteristics and differences can be found in all Large and Small Diaphragm Condenser microphones. If you're having difficulty hearing the differences feel free to email us at mics[at]soundpure.com for the full length hi-res audio files to compare for yourself. Both the Miktek C5 and C7 mics are available for Sound Pure's free try-before-you-buy demo program. If you'd like to set up a trial period to hear one of these incredible mics for yourself, would like to talk more about SDCs vs LDCs, or just microphones in general, feel free to shoot us an email or give us a call at anytime. Thanks for watching!
Stereo Class A Microphone pre-amplifier/DI
Phoenix Audio is dedicated to the development of Class A discrete technology used within high build-quality equipment designed for both the professional and the home studio environment.The DRS-2 Mic-Pre/DI uses our well proven and loved Class A output stage (DSOP-2) coupled with our custom wound output transformer, but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a “valve-like” sound. It also incorporates our high input impedance DI circuitry.The DRS-2 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry.
The DRS-2 was the first bespoke product to be launched by Phoenix Audio in November 1999, and has enjoyed an almost “cult” following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage
.The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design, while the discrete, Class A, high input-impedance DI stage delivers a clearer, stronger and more defined and open sound that captures all the nuances and subtleties of your instrument.
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