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GET IT NOW !On May 21, 2009 The Beast joined Grammy nominee Nnenna Freelon for a charity event in support of the Durham Arts Council at Sound Pure Studios. Following an interactive recording demonstration, The Be...
On May 21, 2009 The Beast joined Grammy nominee Nnenna Freelon for a charity event in support of the Durham Arts Council at Sound Pure Studios. Following an interactive recording demonstration, The Beast capped off the evening with a performance for the attendees in which they premiered two original songs, including this one entitled Catalyst. This footage captures the intimate live show, recorded in one take and mixed at Sound Pure. The mics included the Peluso 22 251 on 6-time Grammy nominee Freelon's Vocals, Peluso VTB on MC Pierce Freelon of the Beast's Voice, a pair of Peluso P12 Microphones on the Steinway piano, Peluso 2247SE on Acoustic Bass, and Peluso CEMC6 Mics as Drum Overheads.
This video was created by Giulio Carnassi and cut all of vocals on his Peluso 22 251 microphone. Entirely re-recorded from scratch, with the full choir, by Giulio Carmassi. Every instrument ove...
This video was created by Giulio Carnassi and cut all of vocals on his Peluso 22 251 microphone. Entirely re-recorded from scratch, with the full choir, by Giulio Carmassi. Every instrument overdubbed, and the video shows 95% of the actual takes used in the recording. No autotune or similar used anywhere. All filmed with a cheap handy camera and all the lighting is done with regular house lamps. No crew or engineers, just me, a tripod and a bunch of mics. Hope you enjoy. It's a labor of love. And yes, i'm not Freddie Mercury, and i don't think i will ever be. But I've done this with a lot of respect for him and the rest of the band and i hope that other people that loved the original will have fun going through it. All the vocals were cut with a Peluso 251 tube mic.
Guitarist Ryan Cavanaugh plays a Morgan CVR Acoustic Concert Guitar (1770) in the Sound Pure Studios live room. Clean tone and records extremely well.
Guitarist Ryan Cavanaugh plays a Morgan CVR Acoustic Concert Guitar (1770) in the Sound Pure Studios live room. Clean tone and records extremely well.
Morgan Guitars' OM Acoustic features a smaller body with a delicate, crisp, and still powerful sound. Played by Ryan Cavanaugh in Sound Pure Studios. Recorded with: Peluso 22 251 Matched Pair Mics Gre...
Morgan Guitars' OM Acoustic features a smaller body with a delicate, crisp, and still powerful sound. Played by Ryan Cavanaugh in Sound Pure Studios. Recorded with: Peluso 22 251 Matched Pair Mics Great River MP-2NV Lynx Aurora 16 A/D Converter
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Benedetto Bambino Deluxe electric guitar(neck pickup) played into Acoustic Image Clarus 2R Head into Raezer's Edge Stealth 10ER cabinet mic'd with Peluso 22 251(i foot off) into A Designs Pacifica preamp feeding Lynx Aurora A/D converters.
Benedetto Bambino Deluxe electric guitar(neck pickup) played into Acoustic Image Clarus 2R Head into Raezer's Edge Stealth 10ER cabinet mic'd with Peluso 22 251(i foot off) into A Designs Pacifica preamp feeding Lynx Aurora A/D converters. (view less)
*Type: Condenser Pressure Gradient w/ 34mm edge-terminated capsule
*Frequency Range: 20Hz/24Khz
*Polar Pattern: 9 - Switchable from omni- to bi-directional
*Sensitivity: 14mv/pa
*Impedance: 200 ohms
*SPL: 138 db
*Equivalent Noise:15 db (A-weighted);
*Tube Type: 6072A-M;
*Power Requirements: Dedicated Power Supply;
*Size: 50mm x 225 mm;
*Weight: 620 g
This microphone is styled after the vintage "251". It has the additional feature of 9 polar patterns, controlled from the power supply. It captures the nuances of the original "251" sound. The output transformer is a custom unit made by Tom Reichenbach of CineMag Transformers.
The factory matched pair package comes as a complete system, with two Microphones, two Power Supplies, two 7 Conductor Cables, and two Shock Mount. Hand built in the USA.
682-Peluso_22_251_Switchable_Pattern_Tube_Microphone-1272880e258-3b.mp3
Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
682-Peluso_22_251_Switchable_Pattern_Tube_Microphone-1272880e290-47.mp3
Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
682-Peluso_22_251_Switchable_Pattern_Tube_Microphone-1272880e258-3b.mp3
Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
682-Peluso_22_251_Switchable_Pattern_Tube_Microphone-1272880e290-47.mp3
Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
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