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Neumann U87Ai Microphone "B" Stock, from Neumann

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Neumann U87Ai Microphone "B" Stock
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Neumann U87Ai Microphone "B" Stock

Multi-Pattern Microphone

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3 Similar Version(s) In Stock to choose from

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Alberta is quite unique; she makes your guitar sing. She provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps. Alberta delivers a cr...

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Alberta is quite unique; she makes your guitar sing. She provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps. Alberta delivers a creamy, yet crunchy sound with a smooth mid-range boost, reminiscent of the old Ibanez TS-808.Recorded with a Neumann U87 into a Great River Electronics MP-2NV and Coles 4038, into a Chandler TG2, and finally a Lynx Aurora 16 AD Converter

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all the way up electric guitar

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Description:

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume all the way up) mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume all the way up) mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800. (view less)

swelling Arpeggiated electric guitar

(click to download)

Description:

Melancon Master Artist electric guitar (volume knob swell) played into Mojave Plexi 45 2X12 ceramic combo mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar (volume knob swell) played into Mojave Plexi 45 2X12 ceramic combo mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800. (view less)

swelling Arpeggiated electric guitar

(click to download)

Description:

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume knob swell) & mic'd with Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume knob swell) & mic'd with Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800. (view less)

screaming cheetah crunch electric guitar bridge pickup

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Description:

Zemaitis SU201 electric guitar(bridge pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume 9, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.

Zemaitis SU201 electric guitar(bridge pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume 9, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

speed demon electric guitar

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Description:

Melancon Master Artist electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 6, treble volume 10, high sense, mid on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 6, treble volume 10, high sense, mid on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800. (view less)

What we think:


Includes Neumann Full 1 year Warranty...get into a Neumann at a great Price!

Specs:

Acoustical operating principle: Pressure gradient transducer
Directional pattern: Omnidirectional, cardioid, figure-8 plus
Frequency range: 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm: 20/28/22 mV/Pa1)
Rated impedance: 200 ohms
Rated load impedance: 1 kohms
Equivalent noise level, CCIR2): 26/23/25 dB1)
Equivalent noise level, A-weighted2): 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL): 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL): 79/82/80 dB1)
Maximum SPL for THD 0.5%3): 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3): 127 dB
Maximum output voltage: 390 mV
Dynamic range of the microphone amplifier (A-weighted): 105 dB
Supply voltage (P48, IEC 61938): 48 V ± 4 V
Current consumption (P48, IEC 61938): 0.8 mA
Matching connectors: XLR3F
Weight: 500 g
Diameter: 56 mm
Length: 200 mm

Description:

The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.

The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.


Applications
The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.


Acoustic features
The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.


Polar patterns
The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.


Electrical features
The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.

The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.


Filter and attenuation
A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.

This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.

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