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GET IT NOW !The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), ...
The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), Speaker Soak function, and is also used as a straight Microphone preamp (from the world-renowned HV3 series of Millennia mic preamps) in this in depth look of the rich features of this amazing little tonal device. The Millennia TD-1's sound quality, build quality, and overall feature-set make this device a truly world-class studio workhorse piece of equipment. Please don't hesitate to call us with any questions we can answer, or to order yours today. Sound Pure is available toll free 888.528.9703.
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, ...
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, the HV3r Remote Controllable Mic Preamp with optional A/D conversion card, the Millennia STT1 Origin Channel Strip, and the TD-1 DI and Mic Pre. While Millennia Mic Preamps are definitive in the classical and jazz worlds, it is truly outstanding in all serious recording studio applications, where the sound company out of the microphone is just right, as-is. Visit our blog on the Millennia products, and be sure and check out our numerous other videos on the individual products in the line. Contact us with any questions, or to pick your next great mic preamp up- we can be reached toll free 888-528-9703.
The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some ele...
The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals direct, using the DI into ProTools, and later move the Recording Studios tracking room to record through a variety of electric guitar amps including the Victoria Victorilux, and the Mojave Scorpion. Millennia is known for its clean sounds and accuracy, but here we demonstrate its versatility and tonal flexibility. A truly amazing studio or stage device that will clearly meet the needs of the most demanding studio guitarist, producer, or recording engineer. The flexibility of a world-class re-amping device such as this is endless, and we show just the tip of the iceberg here. Call Sound Pure learn more about it toll free 888.528.9703, and be sure and check out for our other videos on the TD-1.
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage...
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage and disengage these on a Jazz Grand Piano recording. We then demonstrate the capability of the EQ in a surgical fashion, by taking out some offending frequencies in a Baritone Sax. Give us a call to discuss either of these powerful products from Millennia media that we rely on in our professional work here at Sound Pure Studios. Call us anytime, anywhere in the world at 919.682.5552.
The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated ac...
The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated acoustically, and in the on-screen ProTools demo. This powerful capability enables the Millennia HV-3r a fabulous neutral and clean sounding preamp, which is able to bring out the subtleties of the instrument, room, and microphone, to be remotely controlled by any protocols workstation. The HV-3R is the same preamp design as the two-channel HV-3C and the four and eight channel HV-3D.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
MINIMUM GAIN 9 dB MAXIMUM GAIN 65 dB (up to 78 dB on rqst) FREQUENCY RESPONSE +0 / -3 dB sub 1 Hz to 300 kHz FREQUENCY RESPONSE, STEREO DEVIATION < .04 dB NOISE @ 60 dB Gain, 10 Hz - 30 kHz, Input Common -133 dB EIN NOISE @ 60 dB Gain, 10 Hz - 30 kHz, 50 Ohm Source -130 dB EIN NOISE @ 60 dB Gain, 10 Hz - 30 kHz, 150 Ohm Source -128 dB EIN TOTAL HARMONIC DISTORTION + NOISE, 35 dB Gain, 10 Hz - 20 kHz, +27 dBu Out < .0009%, Typ .0005% (5 PPM) INTERMODULATION DISTORTION (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out <.0009% PHASE RESPONSE 35 dB Gain, 50 Hz - 20 kHz, +27 dBu Out < 2 degrees deviation PHASE RESPONSE, STEREO DEVIATION 35 dB Gain, 20 Hz - 40 kHz, +27 dBu Out < 1/2 degree deviation COMMON MODE REJECTION RATIO 35 dB Gain, 10 Hz - 20 kHz, 100 mV C.M. > 70 dB, Typ > 85 dB SLEW RATE 35 dB Gain, +27 dBu Out > 25 Volts per microsecond MAXIMUM INPUT LEVEL 9 dB Gain, 20 Hz - 40 kHz +23 dBu* MAXIMUM OUTPUT LEVEL 9 - 65 dB Gain Range, 20 Hz - 40 kHz +32 dBu STEREO (INTERCHANNEL) CROSSTALK 35 dB Gain, 1 kHz, +27 dBu Both Outputs Better than -120 dB (> 20 Bits) INPUT IMPEDANCE @ 20 Hz 6,700 Ohms INPUT IMPEDANCE @ 20 kHz 6,800 Ohms OUTPUT IMPEDANCE 24.3 ohms (x2) B&K (DPA) MIC POWERING +130 VDC, max, direct (non-phantom) powered PHANTOM POWERING +48 VDC, +/- 2 VDC POWER CONSUMPTION, MAXIMUM 10 Watts POWER REQUIREMENTS 115/230 VAC, 50/60 Hz DIMENSIONS 19" W x 12" D x 1.7" H
The HV-3B is an extremely wide dynamic range stereo microphone preamplifier intended for demanding acoustic work. Nearly 15,000 channels now in use ~ the HV-3 is a world standard for classical and critical acoustic music recording
HIGH SPEED TRANSFORMERLESS DESIGN 23 dB INPUT & 32 dB OUTPUT HEADROOM NO PADS (ATTENUATORS) REQUIRED ENTIRELY BALANCED AUDIO PATH LASER TRIMMED FET-BASED OUTPUT THD+N LESS THAN 5 PPM (.0005%) MATCHED DISCRETE TRANSISTOR OCTET FRONT-END OPTIONAL BR?EL & KJ?R (DPA) +130V MIC INPUTS OPTIONAL 24 BIT, 192 kHz "POW-R" A/D CONVERTERS (HV-3C/24, 2004) OPTIONAL "DC INPUTS" ? IDEAL FOR RIBBON MICS PRECISION COMPONENTRY THROUGHOUT GOLD AUDIO CONNECTORS & SWITCHES STEREO GAIN MATCHED TO .04 dB OFC AUDIO WIRING, SILVER TEFLON POWER WIRING ULTRA-CLEAN TOROID POWER SUPPLY WELDED 16 GAUGE STEEL RACK CHASSIS UNSURPASSED AMBIENCE RETRIEVAL EFFORTLESS, LIFELIKE MUSICAL PERFORMANCE AT ALL DYNAMIC LEVELS
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