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Neumann U87Ai microphones used to record this stunning McPherson 4.5 featuring a remarkable redwood top with striped Macassar Ebony backs and sides. The well-known Neumann U87Ai microphones were passe...
Neumann U87Ai microphones used to record this stunning McPherson 4.5 featuring a remarkable redwood top with striped Macassar Ebony backs and sides. The well-known Neumann U87Ai microphones were passed through the Millennia HV3r and a Lynx Aurora converter to create this great-sounding video with this amazing instrument. The recording was conducted inside the Sound Pure Studios in Durham, NC, and feature equipment sold by the Sound Pure Pro Audio division, and this guitar available through the Sound Pure Guitar Boutique. Don't hesitate to give the experts at Sound Pure a call toll free at 888-528-9703 with any of your gear needs. Thanks for watching and please comment and let us know what you think!
Join Matt McPherson on a discussion about acoustic guitar bracing and stereophonics. The bracing on these instruments is indeed one of the most unique and impressive aspects of these guitars, and a k...
Join Matt McPherson on a discussion about acoustic guitar bracing and stereophonics. The bracing on these instruments is indeed one of the most unique and impressive aspects of these guitars, and a key part of what makes a McPherson a McPherson.
SEGAS 2011 at the Sound Pure booth Moog Music, McPherson Guitars, Collings Guitars, Flickinger Toneboxes, Wes Lambe, Eastman Guitars, and much more. Ross Gruet shows some new products at the Southea...
SEGAS 2011 at the Sound Pure booth Moog Music, McPherson Guitars, Collings Guitars, Flickinger Toneboxes, Wes Lambe, Eastman Guitars, and much more. Ross Gruet shows some new products at the Southeastern Guitar and Amp Show including the new Moog Cluster Flux MF-108M, Moog's E1 infinite sustain guitar with Saul Zonana, Rich Flickinger's new Velvet Mite 10 watt amp head and speaker cabinet and the new Germanium Griffin Fuzz Boost Pedal, and new creations made by luthier Wes Lambe. Watch our other videos on SEGAS 2011 to see interviews with manufacturers and learn about new products.
Depth: 4" at block and 4.5" at tail block
Scale Length: 25"
Upper Bout: 11 1/8"
Waist: 10"
Lower Bout: 16"
Body Length: 20 1/8"
Overall Length: 41"
Neck Width: Standard 1 3/4" at nut, 2 5/32" at 12th
Neck Width: Wide 1 7/8" at nut, 2 5/32" at 12th
String Spacing: E to E 2 3/16"
Offset Sound Hole
Cantilevered Neck
Truss Rod: Non-Adjustable, unidirectional high-modulus carbon fiber
Ebony Bridge
Ebony bridge pins: unslotted with mother of pearl dot
Fingerboard: Ebony with 14" radius
Frets: All frets dressed by Plek Pro
Nut: Natural Bone
The Buzz Feiten intonation system: Three custom bone saddles set up for low, med, and tall action
Binding: Flamed Koa
Electronics: L.R. Baggs RTS2 system. Ribbon transducer pick-up, pre-amp and volume control
Tuners: Schaller M6G Gold Tuning Machines
Gold Strap Button
Case: Custom fit Ameritage case with built in humidification system
Inlay: McPherson mother of pearl inlay on head cap and mirror image on bridge plate
Finish: UV finish. An extremely durable clear finish which retains tonal integrity of the wood while protecting the guitar from harmful elements
Strings: Elixir Nanoweb medium gauge strings
Top: Redwood
Back and Sides: Striped Macassar Ebony
Redwood is similar to Cedar, warm, rich, and complex. It exhibits a slighly darker tone with less pronounced bass and more headroom than Cedar.
Striped Macassar Ebony is a very dense and heavy tonewood from Southeast Asia. Macassar Ebony features a robust and loud tone much like rosewood, with great clarity.