Finally a Serious Instrument that Really Performs Like the Best Surviving Vintage Les Paul's of the Late 1950's
Some killer Fuzz from the Fulltone '70 Pedal, bringing the vintage sound of the 1970 FuzzFxxe alive. Fulltone Effects says: "...this pedal is a bit unruly but with some warmth... ideal for older 4 in...
Some killer Fuzz from the Fulltone '70 Pedal, bringing the vintage sound of the 1970 FuzzFxxe alive. Fulltone Effects says: "...this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut." Listen for it in this video.... Played by Chris Boerner into a McInturff Carolina Standard Lemonburst, out of a Fargen Blackbird 20 Watt
Blues Legend Alvin Youngblood Hart plays a McInturff Carolina Standard Lemon Burst electric guitar through a Victoria Amps Model 20112 in our Sound Pure Studios.
Blues Legend Alvin Youngblood Hart plays a McInturff Carolina Standard Lemon Burst electric guitar through a Victoria Amps Model 20112 in our Sound Pure Studios.
The Carolina Custom Brock-Burst Electric Guitar from master luthier Terry McInturff is one of the best playing Les Paul style guitars in the shop right now! With impeccable playability, superb tone, a...
The Carolina Custom Brock-Burst Electric Guitar from master luthier Terry McInturff is one of the best playing Les Paul style guitars in the shop right now! With impeccable playability, superb tone, and extreme balance from top to bottom, this is one electric you won't want to pass up! This LP style guitar from McInturff Guitars features a Spanish Cedar body, Honduran Mahogany neck, Big Leaf Maple top, and custom wound Peter Florance Voodoo 59 pickups. Thanks to our Mummy Eddie Berman for rippin' it up on Halloween! Call our guys at the guitar boutique for more info on this killer guitar, the amp, or any other gear. 919.682.5552. or 888.528.9703 Gear Used: McInturff Carolina Custom Brock-Burst Electric Guitar, Vovox Sonorus Instrument Cable, Suhr Shiba Overdrive Pedal, 3 Monkeys Orangutan Purple Tolex Amp Head, 3 Monkeys 2x12 Trapezoid Speaker Cabinet, Royer 121 Ribbon Mic, True Systems Precision 8 Mic Pre, Lynx Aurora AD Converter
Guitar Player Magazine calls the Fulltone Effects GT-500 Pedals " ...the most musical 2 in 1 distortion box..." With a F.E.T Hi-Gain Distortion and Overdrive Booster that can be set to go in either o...
Guitar Player Magazine calls the Fulltone Effects GT-500 Pedals " ...the most musical 2 in 1 distortion box..." With a F.E.T Hi-Gain Distortion and Overdrive Booster that can be set to go in either order via the "series switch" in the middle, this box is more than a simple 2-in-1. Played by Chris Boerner on a Stevenson Pop Classic Custom Future, through a Mojave Coyote Head into a Mojave 2x12 Cabinet. For more info check out www.soundpure.com ...
McInturff Carolina Custom electric guitar (neck pickup) played into Fargen Mini Plex MK II Combo(60's master 4, volume 3, treble 4, mid 8, bass 2) mic'd with Coles 4038 into AEA TRP preamp feeding Lynx Aurora A/D converters.
McInturff Carolina Custom electric guitar (neck pickup) played into Fargen Mini Plex MK II Combo(60's master 4, volume 3, treble 4, mid 8, bass 2) mic'd with Coles 4038 into AEA TRP preamp feeding Lynx Aurora A/D converters. (view less)
McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.
McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters. (view less)
McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.
McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters. (view less)
McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.
McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters. (view less)
McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.
McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters. (view less)
We now have our hands on a modern instrument that does the best Les Paul's of the late 50's justice. He went after it, and he nailed it.
Wow! We knew about Terry's reputation before we became a dealer of his but this instrument has surpassed all expectations. The first thing you notice is the weight of the instrument. It's perfect for this style guitar. It's not too heavy, so it won't break your back. The Peter Florance Voodoos have plenty of bark to them but maintain a great clarity. The guitar is very balanced top to bottom. Lows are not muddled and highs are not thin. The mids are perfect and don't get lost like with many current pauls. The neck is very comfortable too. Hats off to Terry for such great work!
After years of putting it off, Terry finally gave in to all of his fans saying, "When are you going to build a Les Paul style guitar?" Behold his latest creation, The Carolina Standard. This instrument is the result of a careers' worth of research on what makes a great Les Paul great. This guitar is identical to a great Les Paul in weight, dimension, and tone. And we're not talking about something you pull off the shelf new right now. We're talking about vintage instruments, some of which cost in the six figure range right now. Terry has worked very hard on this model and has put the prototype into many famous hands before settling on this final result.
Lemon Burst Finish
59 neck shape
8.15 lbs
Spanish Cedar Body
Honduran Mahogany Neck
extra thin 100% nitrocellulose lacquer
Seymour Duncan Alnico Pro II (neck) and Pearly Gates (bridge)
Figured Big Leaf Maple Top with matching headstock veneer
24 5/8" scale length (50's "period correct")
17 degree headstock pitch
12" fingerboard radius
Indian Rosewood fretboard
Fossilized Ivory Nut
MOP dot inlays
TonePros nickel AVR-2 tune-o-matic bridge
"vintage placement" 3-way switchcraft switch
"vintage placement" 2 volume, 2 tone controls with vintage style tophat knobs
1758-McInturff_Carolina_Standard_Lemon_Burst_Electric_Guitar-1272880f2b8-12.jpg
lo-res pic 2
1758-McInturff_Carolina_Standard_Lemon_Burst_Electric_Guitar-1272880f2c8-6.jpg
lo-res pic 3
1758-McInturff_Carolina_Standard_Lemon_Burst_Electric_Guitar-1272880f2d0-2c.jpg
lo-res pic 4
1758-McInturff_Carolina_Standard_Lemon_Burst_Electric_Guitar-1272880f2e0-3b.jpg
lo-res pic 5
1758-McInturff_Carolina_Standard_Lemon_Burst_Electric_Guitar-1272880f2e4-28.jpg
lo-res pic 1
Call our experts using:
888-528-9703 (toll free)
919-682-5552 (local/international +1)
© Sound Pure LLC 2013. All Rights Reserved.
