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Tube Microphone
IN STOCK! Ships immediately after order processed!
The Horizon from Lauten Audio is a lollipop style, single pattern, large-diaphragm tube condenser microphone that is versatile enough to handle a range of different applications. From male and femal...
The Horizon from Lauten Audio is a lollipop style, single pattern, large-diaphragm tube condenser microphone that is versatile enough to handle a range of different applications. From male and female vocals, to electric guitar, as well as kick and snare drums, this microphone will perform beautifully in your home or studio. This microphone has a smooth top end, meaty mid-range and a tight bottom end, making it an exceptional microphone for kick and snare drums as well as many other instruments. A miniature three-position toggle switch at the top of the mic body provides pre-attenuation of 0, -10 or -20 dB, enabling it to accommodate maximum sound pressure levels of 120, 130, or 140 dB respectively.The generous output levels make life easy for budget computer interfaces, the two-stage pads enable close miking of loud sources, the smooth, if airy, response seems to work well with most sources and certainly helps them to cut through a mix with minimal EQ, and the overall tonality is of a warm, harmonically rich classic valve mic. The build quality is excellent too. You can also hear how the Lauten microphones sound in a full drum mix - both dry and with EQ, Compression, and Reverb. This video features artists Ken Carter on the drums along with Tony Witherspoon on the Fender Rhodes Mark I keyboard. If you would like more information on the Horizon mics and other microphones from Lauten Audio, or any questions about drum mic techniques, call the experts at Sound Pure. 919. 682.5552.
The DRS-8 microphone preamp from Phoenix Audio UK is an 8 channel Neve influenced mic pre featuring Phoenix's groundbreaking audio path. Being modeled after the famous Phoenix DRS-1 and DRS-2 mic prea...
The DRS-8 microphone preamp from Phoenix Audio UK is an 8 channel Neve influenced mic pre featuring Phoenix's groundbreaking audio path. Being modeled after the famous Phoenix DRS-1 and DRS-2 mic preamps, the DRS-8 utilizes the linear Class A output stage, giving the unit a warm and colored quality. Combine that with the latest innovation in transformerless Class A discrete mic input technology and you've got one of the best sounding guitar preamps on the market with an incredibly affordable cost-per-channel price tag. Call the experts here at Sound Pure if you have any questions regarding the Phoenix DRS-8 mic pre or any other products from Phoenix Audio UK.
In this demo we use the Henriksen Jazz Amp 112 er with a Nash T-57, T-63, and T-72 DLX. The Fender Telecaster is an icon in the guitar world. Its bright, gritty tone is well known throughout many genr...
In this demo we use the Henriksen Jazz Amp 112 er with a Nash T-57, T-63, and T-72 DLX. The Fender Telecaster is an icon in the guitar world. Its bright, gritty tone is well known throughout many genres such as rock, blues, country, and more. Not many people realize that it can sound fantastic in a jazz setting as well. The key to getting a jazz sound on a telecaster is cutting down the high's a little and boosting the lows on the amp, while having the tone knob on the guitar halfway and the volume all the way up. This will give you a warm, creamy tone that works well with jazz. If you have any questions on about this video or the gear that was used, please give the experts at Sound Pure a call. 919.682.5552. or toll free at 888.528.9703.
A Lauten Oceanus and Horizon Microphone pair are arranged with the Glyn Johns Method Mic Setup on a Drum Kit. This mix, which includes a Fender Rhodes Mark I, is completely dry and unprocessed. You ca...
A Lauten Oceanus and Horizon Microphone pair are arranged with the Glyn Johns Method Mic Setup on a Drum Kit. This mix, which includes a Fender Rhodes Mark I, is completely dry and unprocessed. You can hear how incredible these mics from Lauten Audio sound in a natural space, without any artificial reverb, EQ, or Compression. This is just a preview of what the Lauten Microphones can do on a drumkit. Look for our videos that take in depth look at the Oceanus and Horizon on drums. We demonstrate how the mics sound in and out of the studio, completely dry, as well as with some processing. Look for more incredible performances by Drummer Ken Carter and Keyboard player Tony Witherspoon. If you would like to learn more about these microphones from Lauten Audio, give the experts at Sound Pure a call today. 919.682.5552
Drum Overhead Mic Setup on Lauten Oceanus LT-381 Microphones, review and demo. This video features a Lauten Audio drum kit setup with the Torches, Horizons, and Oceanus in different spaces and setup...
Drum Overhead Mic Setup on Lauten Oceanus LT-381 Microphones, review and demo. This video features a Lauten Audio drum kit setup with the Torches, Horizons, and Oceanus in different spaces and setups. You can hear how incredible the Oceanus pair sound as overheads, completely dry and unprocessed, as well as how they handle processing incredibly well. You can also hear how the Lauten microphones sound in a full drum mix - both dry and with EQ, Compression, and Reverb. This video features artists Ken Carter on the drums along with Tony Witherspoon on the Fender Rhodes Mark I keyboard. If you would like more information on the Oceanus mics, other microphones from Lauten Audio, or any questions about drum mic techniques, call the experts at Sound Pure. 919. 682.5552.
The Horizon from Lauten Audio an extremely versatile, single pattern, large-diaphragm tube condenser microphone that can be used on wide variety of applications. This mic can do it all! From electric and acoustic guitar, bass guitar, male and female vocals, Drum overheads, toms, snares, and kicks, to brass, strings, piano and more. This microphone will perform beautifully in your home, studio, or even live applications. This microphone has a smooth top end, meaty mid-range and a tight bottom end. Watch some of our demo videos featuring these mics to hear how great they sound. A miniature three-position toggle switch at the top of the mic body provides pre-attenuation of 0, -10 or -20 dB, enabling it to accommodate maximum sound pressure levels of 120, 130, or 140 dB respectively. The two-stage pads enable close miking of loud sources, the smooth, if airy, response seems to work well with most sources and certainly helps them to cut through a mix with minimal EQ, and the overall tonality is of a warm, harmonically rich classic valve mic. The Horizon is made from a single piece of brass, so it is extremely durable.
The Horizon Tube Microphone will help you get the sound you've been looking for. You won't find another microphone that can match the component quality, sound, and value on the market today.
You may be looking for a great microphone with a specific purpose, but what if you can have a microphone that sounds great in many applications? Our customer feedback has proven the Horizon can be that mic. From Grammy-winning producers to small and home studio owners, we have received positive feedback on many applications. Everything from killer guitar amps, mix-cutting vocals, tight snare drums, rich acoustic guitars, and even instruments like concertina and mandolin. Horizon owners have spoken: It will perform for you.
Each microphone comes with a shock mount and hard mount to meet the challenges of any studio. The hard mount is perfect for tight spaces or close micing. The shock mount reduces excessive noise caused by foot tapping or outside noise. You get added versatility from the shock mounted capsule. This reduces external vibrations no matter which mount you use.
Think you can't use a large diaphragm tube mic on stage? Think again! The Horizon tube microphone has proven to be an excellent microphone for live sound recording. With superb off-axis rejection, the bleed from other instruments is minimized. Multiple mounting options make the Horizon easy to place. The mounts and the shock-mounted capsule eliminate noise problems often found with other microphones.
With approximately 10dB higher output, you won't need to rely on expensive preamplifiers to achieve great sound. Two attenuation choices reduce amplitude by 10 or 20 decibels with no sound distortion. These features help you achieve superior results on a large variety of instruments and voices.
Hold the Horizon Tube Microphone in your hand, and you can feel the quality. Built from a solid piece of brass, the body is extremely rugged. The lollipop style head is designed to withstand a hard lick from a drum stick. A robust build quality is necessary to handle years of studio use and protect the premium electronics inside.
Internally, the Horizon Tube Microphone features a carefully constructed capsule which accurately captures sound waves. The military grade vacuum tube generates a fantastic tone. Finally, the world's finest capacitors and precision wound output transformer offer exceptional performance and clarity.
Features
*Hand tuned large diaphragm capsule
*Internal shock mount
*NOS (New-old-stock) military grade vacuum tube
*High resolution capacitors
*Robust body milled from solid brass
*-10 & -20dB pad
*Custom wound output transformer
*Low self-noise
Included Accessories
*Custom power supply
*Hard mount
*Mic bag
*Premium Gotham 7-Pin tube mic cable
*Shock mount
*Deluxe flight case
Specifications
*Circuit:Tube
*Type:Pressure gradient
*Polar Pattern:Cardioid
*Dimensions:8.8 x 2.4in
*Freq. Response: 20Hz to 20kHz
*Dynamic Range:120dB minimum Impedance:<200 ohms
*Max. SPL:0.5% THD @ 1000Hz: 120dB (140dB Pad engaged)
*Self-noise level:<20dB(A)
*Sensitivity:32mV/h2a OR -30ý2dB (0dB=1V/h2a 1000Hz)
*Special Features:2-step -10 & -20dB pad
*Connectors:7-Pin XLR & Standard XLR
*Power Requirement:Custom power supply 100 to 230v