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Collings D1A 17496 Dreadnought Acoustic Guitar, from Collings

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Collings D1A 17496 Dreadnought Acoustic Guitar
Collings D1A 17496 Dreadnought Acoustic Guitar Collings D1A 17496 Dreadnought Acoustic Guitar

Adirondack Spuce Top and Mahogany Back and Sides

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The D1A from Collings Guitars is a classic 18 style dreadnought acoustic guitar. It features an Adirondack Spruce top and Mahogany back and sides. This is very loud, present guitar. Keeping up with th...

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The D1A from Collings Guitars is a classic 18 style dreadnought acoustic guitar. It features an Adirondack Spruce top and Mahogany back and sides. This is very loud, present guitar. Keeping up with the banjo won't be a problem with this guitar. This wood combination is a favorite for blue grass players, but it is versatile enough to excel in fingerstyle, jazz, and blues playing. This guitar has wonderful dynamics and warmth with just the right amount of sparkle. The workmanship is excellent, like all of Collings guitars. Please contact us for more information about our amazing selection of guitars. 888.528.9703

South Eastern Guitar and Amp Show 2011 Raleigh, NC - SoundPure's Booth

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SEGAS 2011 at the Sound Pure booth Moog Music, McPherson Guitars, Collings Guitars, Flickinger Toneboxes, Wes Lambe, Eastman Guitars, and much more. Ross Gruet shows some new products at the Southea...

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SEGAS 2011 at the Sound Pure booth Moog Music, McPherson Guitars, Collings Guitars, Flickinger Toneboxes, Wes Lambe, Eastman Guitars, and much more. Ross Gruet shows some new products at the Southeastern Guitar and Amp Show including the new Moog Cluster Flux MF-108M, Moog's E1 infinite sustain guitar with Saul Zonana, Rich Flickinger's new Velvet Mite 10 watt amp head and speaker cabinet and the new Germanium Griffin Fuzz Boost Pedal, and new creations made by luthier Wes Lambe. Watch our other videos on SEGAS 2011 to see interviews with manufacturers and learn about new products.

What we think:

The D1A from Collings is one of their most popular models. When you pick it up for the first time, you certainly realize why. Chords and lines explode off of this instrument! It's got one mission, to be heard "loud and proud"! This is the perfect bluegrass machine. There's a great balance between the bark of the midrange and the boom of the low end. The harder you strum, the louder it gets. This is attributed to the Adirondack top which has seemingly limitless headroom. The mahogany back and sides add a bit of extra sparkle, dynamics, and low end warmth. Come try the Collings D1A today. You won't be disappointed. Don't hesitate to contact us if you have any questions regarding this guitar or anything else in our fine inventory.

Specs:

  • Adirondack Spruce Top (upgrade)
  • Honduran mahogany back & sides
  • Tortoise-style binding
  • Simple walnut backstrip
  • Pre-war scalloped bracing
  • Black/white wood nitrate strip rosette
  • Tortoise-style pickguard
  • High gloss nitrocellulose lacquer finish
  • Honduran Mahogany Neck
  • Ebony fingerboard and bridge
  • Ebony peghead overlay
  • Mother-of-pearl Collings logo
  • Pearl dot fingerboard markers
  • Fully adjustable truss rod
  • Bone nut and drop-in saddle
  • Ebony bridge pins and end pin
  • Nickel Waverly tuners
  • 1 3/4" Nut Width (upgrade)
  • Body Length: 20"
  • Body Depth: 4 7/8"
  • Lower Bout Width: 15 5/8"
  • Total Length: 40 1/4"
  • Scale Length: 25 1/2"
  • Includes Hardshell Case

Description:

The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the first to build them, we bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. The wide range of woods and neck sizes offered allow dreadnought fans to find a Collings model ideally suited to their playing style and tonal preference.

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