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The A-16II allows individual performers to create custom monitor mixes tailored to their individual needs. Designed for use in live performance or in the studio, the A-16II Personal Mixer gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Every Personal Mixer in a system can create a unique monitor mix for a performer. Users can save and recall up to sixteen custom mixes as presets in their Personal Mixer.
The stereo output from the A-16II can be used to drive wired or wireless in-the-ear monitors, headphones, powered floor wedges, an amplifier, or spot monitors.
The A-16II Personal Mixer is fully compatible with all Pro16 Series products, including Aviom's digital interface card for Yamaha digital mixing consoles. Support for Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers including Digidesign, Soundcraft, Innovason, etc. Look for the A-Net Active logo, and see our Partners page for additional information.
Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices, and there is no limit to the number of mixers in a system.
Features
Best known for changing the face of monitor mixing with its Pro16 Monitor Mixing System, Aviom offers a full line of audio networking products, powered by A-Net, Aviom's innovative high speed digital audio transport technology. With its second generation of A-Net products, the Pro64 Series, Aviom has simplified system design while enhancing control, flexibility, and performance. The company was founded in 2002 by a team of engineering, design, and product development professionals with many years of experience in the Musical Instrument and Pro Audio fields. Aviom's mission is to create innovative, technology-based products that address the real-world needs of audio professionals and musicians working in a variety of environments. Both Aviom's Pro16 and Pro64 products are used in a range of portable and fixed installation applications, including live sound reinforcement, broadcast, recording studios, houses of worship, theaters, schools, and post-production facilities worldwide. Both Aviom's Pro16 and Pro64 products are used in a range of portable and fixed installation applications, including live sound reinforcement, broadcast, recording studios, houses of worship, theaters, schools, and post-production facilities worldwide.
Audio Output |
1/4-inch TRS stereo, headphone or line level |
Line/Headphone TRS Output |
Tip: Audio Left; Ring: Audio Right; Sleeve: Ground |
A-Net Input/Output |
1 A-Net input, 1 A-Net output; Category 5 (RJ45 connector) |
Digital to Analog Conversion Bit Depth |
24 bit |
Signal to Noise Ratio |
(Referenced to 0dB) -103dB |
Latency |
<0.880 msec (measured from analog input to analog output) |
Pro16 A-Net |
uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between devices |
Tone Controls |
Treble +/-12dB at 9kHz shelving |
Bass +/-12dB at 160Hz shelving |
|
Maximum Levels (RMS) |
Line/Headphone outs: 1.0 watt at 100 ohms |
Impedance |
Line/Headphone outs: 32 ohms |
Power Supply |
External, DC, universal switching type |
Dimensions |
10.75" (273 mm) wide x 5.6" (142.2 mm) deep; |
Weight |
3.4 lbs. (1.54 kg) |
Options |
MT-1 Mic Stand Mount (uses 6-32 1/4-inch screws) |
EB-1 Extension Bracket |
|
MT-X Expansion Box (requires MT-1) |