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Apogee DA-16x 16 Channel D/A converter, from Apogee

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Apogee DA-16x 16 Channel D/A converter Apogee DA-16x 16 Channel D/A converter
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Apogee DA-16x 16 Channel D/A converter
Apogee DA-16x 16 Channel D/A converter

Mastering quality 16-channel, 192kHz D/A Converter

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Retail Price (MSRP): $3,495.00

$3,145.00

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The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleas...

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The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleasantly chimey highs. The Regal II also gives you the ability to switch out and mix and match tubes to get a gritty or custom sound that is difficult for another to match, and the fact that you can switch your tubes without rebiasing is an amazing feature. The top of the line design of the Regal II gives you tweed sponginess, coupled with overtones and touch sensitivity that will be sure to satisfy any style of guitar playing. You can use one 6V6 for 5 watts of output or go to the full 35 watts with two EL-34's. Along with the feature of switching tubes, this amplifier comes with a reverb and tremelo pedal, that gives you an amazingly vintage sound. This is a fantastic amp for small gigs and recording. You can get nice warm jazz tones as well as great classic rock and blues tones. Go to SoundPure.com and check out all of our audio clips featuring the Regal II from Victoria, as well as the entire line of Victoria Amplifiers that we offer. Give us a call here at Sound Pure if you have any questions that we can help you with.

mellow out electric guitar neck pickup

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Description:

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Olde 800(drive 9am, master 11am, treble 3pm, bass 9am, mid 1pm, presence 5pm) mic'd with AEA R84 (1 foot off speaker) into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Olde 800(drive 9am, master 11am, treble 3pm, bass 9am, mid 1pm, presence 5pm) mic'd with AEA R84 (1 foot off speaker) into Vintech-Audio X73i preamp feeding Apogee Rosetta 800. (view less)

climbing jazz electric guitar

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Description:

Buscarino Corey Christiansen Model archtop guitar played into Henriksen JazzAmp 10( volume 9am, 10K 10am, 3K 12pm , 1K 10am, 300 Hz 1pm, 100 Hz 2pm) mic'd with Heil PR-40 into A Designs EM RED preamp & Peluso R14 into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.

Buscarino Corey Christiansen Model archtop guitar played into Henriksen JazzAmp 10( volume 9am, 10K 10am, 3K 12pm , 1K 10am, 300 Hz 1pm, 100 Hz 2pm) mic'd with Heil PR-40 into A Designs EM RED preamp & Peluso R14 into Vintech-Audio X73i preamp feeding Apogee Rosetta 800. (view less)

dining room jazz electric guitar

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Description:

Buscarino Corey Christiansen Model archtop guitar played into Henriksen JazzAmp 10( volume 9am, 10K 10am, 3K 12pm , 1K 10am, 300 Hz 1pm, 100 Hz 2pm) mic'd with Heil PR-40 into A Designs EM RED preamp & Peluso R14 into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.

Buscarino Corey Christiansen Model archtop guitar played into Henriksen JazzAmp 10( volume 9am, 10K 10am, 3K 12pm , 1K 10am, 300 Hz 1pm, 100 Hz 2pm) mic'd with Heil PR-40 into A Designs EM RED preamp & Peluso R14 into Vintech-Audio X73i preamp feeding Apogee Rosetta 800. (view less)

mellow yellow electric guitar position 5 pickup

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Description:

James Tyler Studio Elite Retro electric guitar (position 5 pickup) played into River Clubster Doce 25(clean volume 3.5, treble 5, bass 7, reverb 3.5, presence 5.5) mic'd with Sennheiser MD 421 II into A Designs EM Gold Mic preamp feeding Apogee Rosetta 800.

James Tyler Studio Elite Retro electric guitar (position 5 pickup) played into River Clubster Doce 25(clean volume 3.5, treble 5, bass 7, reverb 3.5, presence 5.5) mic'd with Sennheiser MD 421 II into A Designs EM Gold Mic preamp feeding Apogee Rosetta 800. (view less)

swelling Arpeggiated electric guitar

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Description:

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume knob swell) & mic'd with AEA R92 into A Designs EM RED Mic preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume knob swell) & mic'd with AEA R92 into A Designs EM RED Mic preamp feeding Apogee Rosetta 800. (view less)

Specs:



- 16 channels of premium 24-bit D/A conversion
- Sample rates up to 192k
- 16 channels of AES, ADAT/SMUX Output
- Clock I/O
- Optional HD card for direct connection to ProTools HD (X-HD card)
- Optional S800 FireWire card capable of sample rates up to 192k, compatible with OS X/Windows XP and all popular DAW's (X-FireWire card)
- All option cards (X-FireWire and X-HD) facilitate connection of multiple units
- Direct Digital Synthesis (DDS) using Big Ben's C777 Clock Technology up to 192kHz
- Adaptive Loop Filtering (ALF) for optimum clock performance and minimum jitter
- Support for AES double wire and SMUX formats
- Intuitive front panel calibration
- Word Clock termination switch

*INPUTS: AES-EBU in x 8, transformer balanced, DSUB 25pin connector (192k single wide compatible)

*Optical: toslink x 4, supporting ADAT and SMUX protocol WC in: BNC 75 ohm with switchable termination

*OUTPUTS: Analog out 1-8 Balanced, DSUB 25pin connector. Analog out 9-16 Balanced, DSUB 25pin connector.

*WC out: BNC 75 ohm

*OPTION SLOT: One x-type card can be installed, for Firewire, HD and or other future format connectivity.

*Sample rates internal: 44.1/48/88.2/96/176.4/192k

*Sample rates external: 44.1/48/88.2/96/176.4/192k +/- 10%

*Frequency response at 44.1 k : 5 - 20.000 Hz (+/- 0.2 dB)

*Analog levels: 6 to 24dBu max through digital gain adjustment. (Compatible with -10dBV levels)

*THD+N: -107 dB

*Dynamic range: 118 dB A weighted

*Power: 100 -240 VAC, 50 - 60 Hz, 65 Watt

 

Description:

The AD-16X and the DA-16X, Apogee's latest and most advanced conversion systems, take the legendary quality of Apogee a huge step forward. Features such as a redesigned power supply, standard 192kHz sampling rates, the C777 clocking technology found in Big Ben, and optional Pro Tools HD and FireWire expansion cards, make the AD & DA-16X the most powerful and flexible conversion combination ever. And, not only does the X-Series hardware offer unequaled, groundbreaking technology but it makes it available at a fraction of the cost associated with previous, premium Apogee gear.

Advanced High-Definition Conversion The most critical component in the digital recording environment is proper, high-quality conversion and since the dawn of digital recording the most desired converters have been made by Apogee. With up to 192k standard sample rates, the AD & DA-16X combine Apogee's legendary conversion quality with the very latest in high-definition digital to provide unrivaled flexibility and quality.

Redesigned Power Supply Enabling optimum conversion requires a state of the art power supply. The fully redesigned power system of the AD & DA-16X incorporates a specially designed Synchronous Switching power supply that works in conjunction with Apogee's very stable low jitter clock and filtering technology to provide superior heat and noise performance and an improved transient response over our previous linear power supply. This creates a power system that delivers total efficiency and provides an ideal environment for premium conversion.

Redesigned Analog Section Incorporated in the AD & DA-16X are the very latest developments in Apogee?s groundbreaking analog circuit design. Through sophisticated implementation and optimal configuration, the selection of premium, contemporary opamps allows the X-Series to deliver conversion performance never before heard, while maintaining the signature Apogee sound: Clear, transparent, focused and punchy.

C777 Clocking used by Big Ben The AD & DA 16-X use Apogee's C777 clocking technology. Famous for keeping Big Ben on time, the C777 utilizes an entirely digital process that Apogee has developed with the most advanced Direct Digital Synthesis (DDS) technology and DSP-based digital filtering. With a stable, crystal based digital PLL handling the clocking, AD-16X and DA-16X are able to intelligently manipulate incoming signals and adapt to them accordingly. The result; The most aggressive jitter reduction ever and an astonishing and noticeable difference in sound quality.

Connect Directly to Pro Tools HD or any FireWire Enabled Computer Like their cousin the Rosetta 800, the AD & DA-16X offer an expansion card slot that greatly increases connectivity possibilities. Add an optional X-Series HD card and connect AD & DA-16X directly to your computer via your HD Core Card. Using Logic, Nuendo or any of the many native DAW's Add an X-FireWire card to your X-Series hardware and enjoy a direct, extremely low latency connection that supports FireWire 800 standards and has backwards compatibility with 400 standards. And, if you are buying multiple units, you can daisy chain up to a whopping 120 channels with incredibly low latency.

SoftLimit: Maximize Levels, Minimize Overs One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. Soft Limit is an analog peak limiter that enables the capture of an additional 4-6 dB of level without going into an 'over' condition. Short of purchasing a very expensive stand-alone compressor/limiter, there is currently no product on the market that handles this process better than SoftLimit.

UV22HR: Dither Down with 24-bit Detail UV22HR is Apogee's industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the CD mastering. UV22HR is also being employed to produce dramatically improved internet and computer audio content without increased file sizes or data rates. It is estimated that 8 out of 10 hit records are mastered using Apogee's UV22HR technology.

High Performance Output The DA-16X uses Apogee's newly developed electronically balanced line drivers. Originally designed for the Mini-DAC, these line drivers are able to simulate true transformer behavior. The circuitry is an ultra low output impedance, high current driver, capable of running levels up to 26 dBu to the most complex or low impedance loads. Recording studios utilizing vintage audio-equipment will find this particularly valuable. Ultimately, the output performance of the DA-16X achieves perfect symmetry when used in balanced mode (even with an unsymmetrical load) and no increased distortion when used unbalanced.